The current installation in the Museum’s gallery of contemporary art, revolves around two important paintings currently on loan to the Museum: Tan Tan Bo – In Communication (2014) by Takashi Murakami and The Little Star Dweller (2006) by Yoshitomo Nara.
Sound cannot be seen, but it can be heard and felt as vibrations, and it has the ability to move the spirit through music and memory. These experiences allow the knowledge and presence of sound to be visualized in painting, calligraphy, poetry, and photography. Featured in this special installation are Chinese, Japanese, Vietnamese, and Asian-inspired works of art ranging from the twelfth century to the present day that are drawn from the Museum’s collections and from the collection of Gérard and Dora Cognié.
This exhibition features a range of contemporary art practices that mine and reinterpret visual and narrative traditions from the Indian subcontinent. Envisioned as a conversation with Epic Tales from India: Paintings from the San Diego Museum of Art, an exhibition of traditional manuscript paintings and drawings, Contemporary Stories examines the ever-shifting meanings of such narratives as the Ramayana and the Mahabharata in contemporary life.
Epic Tales from India includes ninety-one paintings from the collection of the San Diego Museum of Art—tiny treasures only a few inches in dimension but outsized in their impact. In this exhibition, the main objective is to present the paintings as illustrations to works of literature, attempting to recapture something of their original intent.
This past academic year, numerous Italian language and literature courses visited the Art Museum to discuss Italian style and culture while engaging with original works of art. The classes varied widely in scope and pedagogic approach, and the instructors and I adapted different plans for each of the visits, with the shared experience being one of close looking.
Art has the power and versatility to be a plethora of different things for different people. It can be inspirational, cathartic, and ennobling. For me, it has been life changing. Art has led and continues to lead me on the most unprecedented and fulfilling journey.
Building on the success of last fall’s upper-level seminar on Paul Cézanne, John Elderfield is teaching a course this fall that addresses aspects of the work of the American artist Willem de Kooning, in particular the relationships in de Kooning’s practice between painting and drawing and between abstraction and figuration.
A spectacular, sprawling sixty-six-foot mosaic and a twenty-five-foot luminous multilayered glass painting by the acclaimed Pakistani-American artist Shahzia Sikander will join the Museum’s collections this fall. The two site-specific works will be permanently installed at the newly renovated 20 Washington Road, the former Frick Chemistry Laboratory and now the new home to the Economics Department and the Louis A. Simpson *60 International Building at Princeton. Overlooking the building’s large open-lit common areas—the glass painting in the Economics Forum and the mosaic in the International Atrium—the works are Sikander’s first foray into glass.