The Allegorical Figure in Latin American Prints, Drawings, and Photographs

In the 1990s, through the generosity of David L. Meginnity, Class of 1958 (1936–2000), the Princeton University Art Museum gained an exceptional collection of 140 paintings, sculptures, and works on paper by twentieth-century Latin American artists. The Meginnity Collection, focused on figurative prints and drawings from Mexico and Guatemala, contains many superb examples of modern Latin American art in a variety of styles by artists of several nationalities. This installation presents a selection of these works, together with other significant prints, drawings, and photographs acquired by the Museum over the decades, offering an overview of the development of modern art in Latin America through allegorical representations of the human figure, created during a century of enormous—and often violent—artistic, political, and social change following the Mexican Revolution of 1910–20.

The century begins with a populist broadside illustrated by José Posada, who borrowed traditional symbols from the Day of the Dead—an ancient celebration of Aztec origin honoring departed ancestors  —to satirize corruption in Mexican society under the long dictatorship of Porfirio Díaz. In the decades that followed, aspiring young artists flocked to Paris and New York to absorb European modernism firsthand, then returned to Mexico to combine modernist theories with Latin American themes and subjects. In the 1930s and ’40s many artists from this first generation of Latin American modernists, such as Carlos Mérida, Diego Rivera, Rufino Tamayo, and José Clemente Orozco, engaged in large-scale mural projects devoted to historical and socialist themes, painted for public buildings in Mexico and the United States. In the 1940s, as the unique character of Latin American art gained an international reputation, the Surrealist painters Leonora Carrington and Remedios Varos fled the rise of Fascism in Europe, finding refuge in the relative exoticism of artistic circles in Mexico City. Following the war, a younger generation of artists—including Raphael Coronel and Francisco Toledo, as well as the photographers Graciela Iturbide and Mario Cravo Neto—drew on the complexity of these established themes and influences to establish a uniquely expressive art that combines ancestral origins with psychologically and politically charged complexities to explore the identity of the artist in Latin America today.

Calvin Brown
Associate Curator of Prints and Drawings

  • 55271
    José Guadalupe Posada, Mexican, 1852–1913
    Calavera de Telele, ca. 1890s
    2008-25
  • 53272
    Hugo Brehme, Mexican, born Germany, 1882–1954
    Guitarristas tipicos, ca. 1920
    2007-77
  • 9372
    Leopoldo Mendez, Mexican, born 1903
    Mexico, printed 1945
    x1953-56
  • 5634
    Carlos Merida, Guatemalan, 1891 - 1985
    Five Indians, 1927
    x1946-298
  • 5599
    Jose Clemente Orozco, Mexican, 1883–1949
    The Rear Guard (Retraguardia), 1929
    x1946-311
  • 13959
    Henri Cartier-Bresson, French, 1908–2004
    Mexico City, 1934
    x1977-94
  • 40062
    Diego Rivera, Mexican, 1886–1957
    Mujer con Canasta, 1948
    2001-94
  • 40201
    Rufino Tamayo, Mexican, 1899–1991
    Babs Rollins
    2001-105
  • 11529
    Roberto Matta, Chilean, 1911 - 2002
    Vote Watchers, 1955
    x1970-133
  • 40054
    Julio Alpuy, Uruguayan, born 1919
    Composition (Composicion), 1946
    2001-45
  • 40059
    Leonora Carrington, British, 1917–2011
    Untitled
    2001-57
  • 40179
    Wifredo Lam, Cuban, 1902–1982
    Untitled, 1972
    2001-80
  • 39889
    Remedios Varo, Spanish, 1908–1963
    Winter (Invierno), 1947–1949
    2001-139
  • 40067
    Rafael Coronel, Mexican, born 1932
    Cantoya, 1959
    2001-64
  • 36066
    Francisco Toledo, Mexican, born 1940
    Thinking - Self Portrait (Pensando - Autorretrato ), 1985
    1998-154
  • 40204
    Francisco Toledo, Mexican, born 1940
    Mother (Madre), 1985
    2001-108
  • 40202
    Francisco Toledo, Mexican, born 1940
    Death and Ladder (Muerte y Escalera), 1992
    2001-106
  • 40216
    Francisco Toledo, Mexican, born 1940
    Frogs and Pants (Sapos y Pantalones), 1974
    2001-115
  • 40239
    Francisco Toledo, Mexican, born 1940
    Pulling One's Hairs (Jalada de Pelos), 1987
    2001-130
  • 38746
    Graciela Iturbide, Mexican, born 1942
    Jano (Janus), Ocumichu, Michoacán, 1981
    1999-185