Flore et Zéphir (de la Meurthe), number 4 from the series Idylles Parlementaires from Le Charivari
Flore et Zéphir (de la Meurthe), number 4 from the series Idylles Parlementaires from Le Charivari

Currently not on view

Flore et Zéphir (de la Meurthe), number 4 from the series Idylles Parlementaires from Le Charivari,

published in Le Charivari, September 21, 1850

Honoré Daumier, 1808–1879; born Valmondois, France; died Marseille, France
Printed and published by Aubert, French, active 1829–1847
x1935-1629 d

Information

Title
Flore et Zéphir (de la Meurthe), number 4 from the series Idylles Parlementaires from Le Charivari
Dates

published in Le Charivari, September 21, 1850

Maker
Honoré Daumier
Medium

Lithograph

Dimensions

image: 21 x 28 cm. (8 1/4 x 11 in.)
sheet: 26 x 35 cm (10 1/4 x 13 3/4 in.)

Object Number
x1935-1629 d
Place Made

Europe, France, Paris

Inscription

Lettered and numbered above stone, upper center and right: IDYLLES PARLEMENTAIRES. / 4.

Signed in stone, lower left corner: h.D.

Numbered in stone, lower right corner: 209

Publisher and printer below stone, lower left and right: Chez Aubert & Cie. Pl. de la Bourse 29, Paris. / Imp. de Me. Ve. Aubert, r. de l’Abbave 5 a Paris.

Titled in lower margin: FLORE ET ZÉPHIR (DE LA MEURTHE.)

Captioned in lower margin: Légèrement il se balance, / Du pied à peine effleurant l'eau: / Flore qui l'admire en silence / Se dit: Ah! crédié qu'il est beau! / Traduit d'Anacréon / par Ratapoil, Colonel de Gendarmerie en retraite, membre de la société des belles lettres de Châlons sur Marne et de la société du Dix Décembre de Paris.

Reference Numbers
Delteil 2053; Hazard and Delteil 1954
Culture
European, French
Type
prints, lithographs
Materials
lithographic ink
Techniques
lithography
Subject
goddesses, nudes, men, satires, landscapes (representations), figures (representations), women, Roman mythology

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The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

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