Read More (y1969-81)

In 1974, artist, collector, and writer Michael David Hall described his vision for the signifiance of massive painted steel sculptures such as this: “This type of sculpture is truly ‘outdoor’ sculpture and traces its roots to the great structures of pre-history such as Stonehenge . . . My sense is that the time is right for this kind to find its way into the environment of the American academic community . . . I am certain that sculpture will give new relevance to the notion that natural and manmade environments can be intelligently and creatively welded to serve a broad range of human intellectual and spiritual needs.”