Currently not on view
The Man on the Rack,
1761
Giovanni Battista Piranesi, 1720–1778; born Mogliano Veneto, Italy; died Rome, Italy; active Rome
x1938-13 b
The Venetian visionary Giovanni Battista Piranesi devoted himself to the celebration of Roman architecture throughout his career as an architect, designer, archaeologist, polemicist, and, most prolifically, printmaker. In this etching from the second edition of his celebrated and enigmatic Carceri series, Piranesi synthesizes fact and fantasy, conjuring up a dizzying stagelike setting that is embedded with portrait busts and names of some of the victims of the emperor Nero. The cavernous and cluttered imaginary space dwarfs the prisoner on the rack and his torturers—a drama observed by clusters of shadowy and diminutive onlookers, oblivious to the vista of Imperial Rome in the background.
Information
Title
The Man on the Rack
Dates
1761
Medium
Etching and engraving
Dimensions
plate: 56 x 41.5 cm. (22 1/16 x 16 5/16 in.)
sheet: 65 x 49 cm. (25 9/16 x 19 5/16 in.)
frame: 77.5 × 62.2 × 2.5 cm (30 1/2 × 24 1/2 × 1 in.)
Credit Line
Gift of Frank Jewett Mather Jr.
Object Number
x1938-13 b
Place Made
Europe, Italy
Inscription
Numbered in plate, upper right: II
Signed in plate, lower right: Piranesi F.
Marks/Labels/Seals
In graphite, lower right: 2
Reference Numbers
Focillon 25; Hind 25; Robison 43; Wilton-Ely 27
Materials
Subject
- Henri Focillon, Giovanni Battista Piranesi: Essai de catalogue raisonné de son oeuvre (Paris: Libr. Renouard, H. Laurens, 1918)., nos. 24–39
- Arthur Mayger Hind, Early Italian engraving: a critical catalogue with complete reproduction of all the prints described (London: Pub. for M. Knoedler, New York, by B. Quaritch, 1938-48)., nos. 24–29
- Andrew Robison, Piranesi: Early Architectural Fantasies (Washington, D.C: National Gallery of Art; Chicago: University of Chicago, 1986)., nos. 26–41
- John Wilton-Ely, Giovanni Battista Piranesi, the complete etchings (San Francisco: Alan Wofsy Fine Arts, 1994)., nos. 29–42