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Doug and Mike Starn, (Any) Body Oddly Propped, 2015. © Doug and Mike Starn, 2015 / Photo: Ricardo Barros

Welcome

Frank Stella Unbound Literature and Printmaking

Frank Stella Unbound
Literature and Printmaking

May 19 through September 23, 2018

Picturing Protest
Student Vietnam War Protest, 1968 or 1972. Mudd Library, Princeton University

Picturing Protest

May 26 through October 14, 2018

Frank Stella Unbound: Literature and Printmaking Frank Stella, American, born 1936. Cantahar, 1998. Lithograph, screenprint, etching, aquatint, and relief. Addison Gallery of Art
Exhibition

Frank Stella Unbound: Literature and Printmaking

May 19, 2018
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September 23, 2018
Picturing Protest Gordon Parks, for LIFE magazine. Untitled, March on Washington for Jobs and Freedom, Washington, D.C., August 28, 1963, printed 2016. Inkjet print. Princeton University Art Museum / © The Gordon Parks Foundation
Exhibition

Picturing Protest

May 26, 2018
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October 14, 2018
Revealing Interiors Elizabeth Colomba, French, born 1976. Clyte, 2008. Watercolor. Museum purchase, gift of the PECO Foundation 2017-1
Gallery Highlights

Revealing Interiors

On view in the Early European Galleries May 5–October 28, 2018

Rembrandt as Printmaker
Gallery Highlights

Rembrandt as Printmaker

On view in the Works on Paper Study Room June 14 through September 2, 2018.  Thursdays 5:00–9:00 pm; Saturdays 10:00 am–5:00 pm; Sundays 12:00–5:00 pm

Hellenistic and Roman art in the Art of the Ancient Mediterranean gallery

A Fresh Look at the Art of the Ancient Mediterranean

The Art of the Ancient Mediterranean gallery, on the lower level of the Art Museum, has recently been redesigned--the culmination of a multiyear project.

Clarence H. White, The Sea (Rose Pastor Stokes, Caritas Island, Connecticut),1909. Platinum print. The Clarence H. White Collection, Princeton University Art Museum (x1983-496)

Clarence H. White and His World Opens at the Portland Museum of Art

Clarence H. White and His World: The Art and Craft of Photography, 18951925 opened in Maine at the Portland Museum of Art, where it is on view through September 16.

Legacy Collecting and Collections at Princeton | Director's Letter Summer 2018

James Steward discusses the audacity of purchasing to one's personal taste, against the market.

Exhibition | Picturing Protest

Fifty years after the watershed events of 1968, the exhibition Picturing Protest examines the visual framing of collective action between 1960 and 1970 around the country and on Princeton’s campus.

Collecting African American Art

In acquiring prints and drawings by African American artists, the goal has been to provide a rich cross section of figurative and abstract images that explore the black experience from a variety of perspectives, past and present.