On view

Asian Art
Huo Pavilion

Haniwa tomb figure (埴輪),

ca. 6th century

Anonymous
Japanese
Kofun period, 300–710 CE
y1992-2
From the mid-third to the early sixth century, clay tomb sculptures, known as haniwa from the Japanese for “clay cylinder,” were set on top of earthen burial mounds called kofun. This is also the name given to the period during which they appear. Haniwa ranged in form from simple hollow tubes to figures of people and animals, and even complex architectural structures. Plain cylinders are characteristic of the earliest burial sites, while figural haniwa, such as this one adorned with necklace, earring, and belt, appeared only after the fifth century. The intended function of haniwa is still debated. One theory suggests that they served to mark and protect the boundary between the realms of the living and the dead. The striations along the torso, arms, and head of this figure may indicate clothing and hair. Traces of white pigment are still visible on the headdress, arms, and necklace, suggesting they were originally painted.

More Context

Handbook Entry

More About This Object

Information

Title
Haniwa tomb figure (埴輪)
Dates

ca. 6th century

Maker
Medium
Earthenware with traces of pigment
Dimensions
h. 50.0 cm., w. 25.3 cm., d. approx. 18.7 cm. (19 11/16 x 9 15/16 x 7 3/8 in.)
Credit Line
Museum purchase with funds given by Duane E. Wilder, Class of 1951
Object Number
y1992-2
Place Made

Asia, Japan

Description
Red earthenware figure with outstretched arms and a tubular body that tapers at the waist. Horizontal slits mark eyes and mouth, and a cylindrical hat is topped by two forward projections. The figure is broken below the hips, and wears a necklace of circular clay buttons. Ring earring on left side. Firing holes are located on both sides of the head and on the torso under the arms. Torso scored with vertical lines, and traces of white pigment can still be seen on hat and body.
Culture
Period
Materials

–1992 Yanagi Kunio (Kyoto, Japan), sold to the Princeton University Art Museum, 1992.