Currently not on view
Madonna della Cintola,
1484
Bernardo di Stefano Rosselli, Italian, active ca. 1460–1526
y38
More About This Object
Information
Title
Madonna della Cintola
Dates
1484
Medium
Tempera on wood panel
Dimensions
sight: 163 x 150 cm. (64 3/16 x 59 1/16 in.)
frame: 180.5 × 167 × 14 cm (71 1/16 × 65 3/4 × 5 1/2 in.)
Credit Line
Museum purchase
Object Number
y38
Place Made
Umbria ?, Italy
Inscription
Inscribed in painting, bottom center: QUESTA TAVOLA E DELLA/ COMPAGNIA DI SANTA M/ARIA DELLE PIEVE DISTO PI/ERO ASSIEYE MCCCCLXXXIIII
Culture
Materials
- W.B. McCormick, "Princeton Museum, a workshop", International studio 83 (Sept., 1925)., p. 36
- Frank Jewett Mather Jr., "Painting", Art and archaeology 20, no. 3 (1925): p. 145-151., p. 148
- Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places, (Oxford, UK: Clarendon Press, 1932)., p. 9
- Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi, (Milano: U. Hoepli, 1936)., p. 8
- Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places: Florentine school, (London: Phaidon Press, 1963)., p. 86
- B. B. Fredericksen and F. Zeri, Census of pre-nineteenth-century Italian paintings in North American collections, (Cambridge, MA: Harvard University Press, 1972)., p. 624
- Anna Padoa Rizzo, "Ricerche sulla pittura del '400 nel territorio fiorentino", Antichità viva 26, nos. 5/6 (1987): p. 20-27., p. 22-23; fig. 5
- Donald Garstang, Gothic to Renaissance: European painting, 1300-1600, (London: Colnaghi, 1988)., p. 80-82; no.10.
- Betsy Rosasco, "The teaching of art and the museum tradition: Joseph Henry to Allan Marquand," in "An art museum for Princeton: the early years", special issue, Record of the Art Museum, Princeton University 55, no. 1/2 (1996): p. 7-52., p. 9, fig. 3
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Erling Skaug, "The third element: preliminary notes on parchment, canvas and fibres as structural components related to the grounds of Medieval and Renaissance panel paintings", ed. Jilleen Nadolny, Kaja Kollandsrud, et. al., Medieval painting in Northern Europe: techniques, analysis, art history: studies in commemoration of the 70th birthday of Unn Plahter, (London: Archetype, 2007).
, p. 190; fig. 8
