On view

Modern and Contemporary Art
Theodora Walton William Walton III Pavilion

Blubber,

2000

Ellen Gallagher, born 1965, Providence, RI; active Rotterdam, Netherlands, and New York, NY
2002-294
Gallagher’s Blubber is an incisive exploration of racial identity. Floating across its surface are small black marks and curves that appear abstract but recall faces, forked tongues, or lips. As in Gallagher’s other works, these shapes teeter between biomorphic abstraction and signifiers of racist stereotypes drawn from the tradition of minstrelsy shows. Blubber’s swirling curves cut from lined paper also suggest a turbulent seascape, a reference reinforced by its title, which is an homage to Herman Melville’s novel Moby Dick (1851). This seascape serves, in turn, as the stage for the Middle Passage slave trade as well as the universe of Drexciya, a mythical Black Atlantis populated by the unborn children of pregnant Africans killed at sea.

More About This Object

Information

Title
Blubber
Dates

2000

Medium
Ink, pencil, and paper on linen
Dimensions
305.0 x 488.0 cm. (120 1/16 x 192 1/8 in.)
Credit Line
Museum purchase and gift of the Class of 1952 in honor of their 50th reunion: Bruce Atwater, Roger S. Berlind, William Polk Carey, George B. E. Hambleton, Craig Lewis, Anne and Constantine Sidamon-Eristoff, James E. Simpson, Gough W. Thompson, Jr., Burton J. Weiss and Nan S. Weiss, and Lucius Wilmerding III
Object Number
2002-294
Culture
Type

Bruce Atwater, Roger S. Berlind, William Polk Carey, George B. E. Hambleton, Craig Lewis, Anne and Constantine Sidamon-Eristoff, James E. Simpson, Gough W. Thompson, Jr., Burton J. Weiss and Nan S. Weiss, and Lucius Wilmerding III, partial gift; to Princeton University Art Museum, 2002.