On view

American Art
Wilmerding Pavilion
Sarah Shaw Anschutz Gallery

The Woman Clothed with the Sun Fleeth from the Persecution of the Dragon,

ca. 1797

Benjamin West, 1738–1820; born Springfield [now Swarthmore], PA; died London, England
1996-62
Part of a commission for the English eccentric William Beckford’s Revelation Chamber at Fonthill Abbey, his fantastic Gothic Revival folly in Wiltshire, these richly developed oil sketches are—as the arched shape of one suggests—likely studies for stained-glass windows. Each illustrates a passage from the New Testament’s apocalyptic Book of Revelation, in which God vanquishes the powers of evil and ushers in a righteous messianic kingdom. Beckford’s fabulous wealth derived from several Jamaican sugar plantations, at which three thousand people were enslaved. He paid West a substantial retainer to assist his designs for Fonthill, including the planned Chamber, with walls five feet thick, in order to receive his family’s coffins. However, the chamber disappeared from Beckford’s evolving plans, and Fonthill Abbey, declared finished in 1813, was demolished following the third collapse of its hastily constructed three-hundred-foot tower.

More Context

Handbook Entry

Information

Title
The Woman Clothed with the Sun Fleeth from the Persecution of the Dragon
Dates

ca. 1797

Medium
Oil on paper laid down on wood panel
Dimensions
149 × 69 cm (58 11/16 × 27 3/16 in.) frame: 168.5 × 87.3 × 8.9 cm (66 5/16 × 34 3/8 × 3 1/2 in.)
Credit Line
Museum purchase, Kathleen Compton Sherrerd Fund for American Art
Object Number
1996-62
Place Made

Europe, England

Culture

Commissioned by William Beckford, Fonthill Abbey, Wiltshire (England), ca. 1797 [1]; [Phillips, Fonthill Abbey Sale, 25th day, 11 October 1823, one of four paintings with Revelation subjects, lots 152, 153, 349, and 350 [2]]. Acquired at an unspecified time by Sir Samuel Bagster Boulton (1830-1918), who kept it either at Coppeld Hall, Totteridge, or 189 St. James’s Court, Buckingham Gate, London; donated by his children to St. Andrew’s Church, Totteridge, 1918 until at least 1977 [3]; [Sotheby’s Parke-Bernet, London, July 9, 1980]. [Noortman & Brod, Ltd., New York (NY), by 1981 [4]]. [Hirschl and Adler Galleries, New York (NY), by 1986 [5]]; purchased by the Princeton University Art Museum,