Currently not on view
Le maréchal flamand (The Flemish Farrier),
1822
Léon Cogniet, French, 1794–1880
after Théodore Géricault, French, 1791–1824
Printed by François le Villain, French, active 1819–1822
Published by Gihaut Frères, French, active 1815–1839
after Théodore Géricault, French, 1791–1824
Printed by François le Villain, French, active 1819–1822
Published by Gihaut Frères, French, active 1815–1839
x1954-127
The heroic nobility of the horse in service to humankind was a favorite theme in Géricault’s paintings and drawings, and the primary subject of his lithographs. Invented in Bavaria in 1796, lithography was still a new medium to French printmakers when Géricault enthusiastically took up the process. Following the commercial success of his English Series lithographs in 1821, Géricault’s Parisian publishers convinced him to issue a series of lithographs depicting horses engaged in a variety of occupations. Géricault provided watercolor copies of the six plates depicting horses from his English Series, as well as six additional composition studies, to serve as models; Cogniet rendered them as lithographs for the album Studies of Horses, published by the Gihaut Brothers in 1822.
Information
Title
Le maréchal flamand (The Flemish Farrier)
Dates
1822
Maker
Medium
Lithograph
Dimensions
56.3 × 41.6 cm (22 3/16 × 16 3/8 in.)
Credit Line
Bequest of Henry K. Dick, Class of 1909
Object Number
x1954-127
Place Made
Europe, France, Paris
Inscription
Printed below stone, lower left to right: Géricault del / Chez Gihaut, éditeur Md. D’Estampes, bard. des Italiens No. 5 / Lith de Villain
Reference Numbers
Beraldi 79; Clement 79; Delteil 85
Culture
Type
Materials
Techniques
- Charles Clément, Géricault: étude biographique et critique, avec le Catalogue raisonné de l’oeuvre du maître (Paris: Didier et cie, 1879)., no. 32, pp. 387–388 [original impression]; no. 79, p. 402
-
Henri Béraldi, "Volume 7," Les graveurs du XIXe siècle (Paris: L. Conquet, 1888).
, no. 79, p. 100 -
Loys Delteil, "Volume 18," Le peintre-graveur illustré (Paris: Chez l'Auteur, 1924).
, no. 33 [original impression] (illus.); no. 85 (illus.) - "Recent acquisitions", Record of the Art Museum, Princeton University 14, no. 1 (1955): p. 17-19., p. 18