Further Reading

Alberro, Alexander, ed. Two-Way Mirror Power: Selected Writings by Dan Graham on His Art. Cambridge, MA: MIT Press, 1999.

Armstrong, Elizabeth, and Joan Rothfuss. In the Spirit of Fluxus. Minneapolis: Walker Art Center, 1993.

Baraka, Amiri. The Autobiography of LeRoi Jones. Chicago: Lawrence Hill Books, 1997.

Béar, Liza. “Gordan Matta-Clark . . . Splitting [interview with the artist].” Avalanche (December 1974).

Bellamy, Richard, Lucy R. Lippard, and Leah P. Sloshberg. Focus on Light. Trenton, NJ: The New Jersey State Museum Cultural Center, Trenton, 1967.

The Boardwalk Show [catalogue of an exhibition held at the Convention Hall, Atlantic City, NJ, May 18–20, 1971]. Washington, DC: Protetch Rivkin Gallery, 1971.

Buchloh, Benjamin H. D., and Judith F. Rodenbeck. Experiments in the Everyday: Allan Kaprow and Robert Watts: Events, Objects, Documents. New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999.

Castle, Ted. “Robert Smithson from New Jersey.” Arts Magazine 52 (May 1978): 103.

Celant, Germano. Dennis Oppenheim: Explorations. Milan: Charta, 2001.

Colomina, Beatriz, Annmarie Brennan, and Jeannie Kim. Cold War Hothouses: Inventing Postwar Culture, from Cockpit to Playboy. New York: Princeton Architectural Press, 2004.

Danto, Arthus. Charles Simonds: Mental Earth, Growths and Smears. New York: Knoedler & Co., 2001.

Diserens, Corinne, ed. Gordon Matta-Clark. London: Phaidon, 2003.

Flam, Jack, ed. Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996.

Fleischman, Stephen, and Jane Simon, eds. George Segal: Street Scenes. Madison, WI: Madison Museum of Contemporary Art; New York: D.A.P./Distributed Art Publishers, 2008.

Graham, Dan. “Homes for America, Early Twentieth-Century Possessable House to the Quasi-Discrete Cell of ’66,” Arts Magazine 41 (December 1966–January 1967).

Harris, William J., ed. The LeRoi Jones/Amiri Baraka Reader. New York: Thunder’s Mouth Press, 1991.

Hendricks, Geoffrey, ed. Geoffrey Hendricks: Day into Night. Odense, Denmark: Forlaget Brandts Klaedefabrik, 1993.

_____. Between Earth and Sky (In Knowing One, One Will Know the Other). Charlottetown, P.E.I.: Confederation Centre Art Gallery, 2003.

_____. Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers University, 1958–1972. New Brunswick, NJ: Rutgers University Press, 2003.

Hobbs, Robert, ed. Robert Smithson: Sculpture. Ithaca, NY: Cornell University Press, 1981.

Holt, Nancy. “Pine Barrens.” Avalanche (Summer 1975).

Hunter, Sam. George Segal. New York: Rizzoli International Publications, Inc., 1989.

Jones, Caroline. Machine in the Studio: Constructing the Postwar American Artist. Chicago: University of Chicago Press, 1996.

Kaprow, Allan. Essays on the Blurring of Art and Life. Edited by Jeff Kellet. Expanded edition. Berkeley: University of California Press, 2003.

_____. “Segals Vital Mummies.” Art News 62, no. 6 (1964): 33–3, 65.

_____. Ten from Rutgers University: Brecht, Hendricks, Kaprow, Kuehn, Lichtenstein, Orenstein, Segal, Vasey, Watts, Whitman. New York: Bianchini Gallery, 1965.

Kelley, Jeff. Childsplay: The Art of Allan Kaprow. Berkeley: University of California Press, 2004.

Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press, 2002.

Kwon, Miwon, and Philipp Kaiser, eds. Ends of the Earth: Land Art to 1974. Los Angeles: The Museum of Contemporary Art, Los Angeles, 2012.

Lippard, Lucy. Michelle Stuart: Sculptural Objects: Journeys in and out of the Studio. Milan: Charta, 2010.

Lovatt, Anna, et. al. Michelle Stuart: Drawn from Nature. Ostfildern, Germany: Hatje Cantz, 2013.

Marter, Joan, ed. Off Limits: Rutgers University and the Avant-Garde, 1957–1963. Newark, NJ: Newark Museum; New Brunswick, NJ: Rutgers University Press, 1999.

Millet, Teresa, ed. Charles Simonds. Valencia, Spain: Institut Valencià d’Art Modern, 2003.

Olin, Ferris, ed. Artists on the Edge: Douglass College and the Rutgers MFA. New Brunswick, NJ: Rutgers, the State University of New Jersey, 2005.

Pelzer, Birgit, Mark Francis, and Beatriz Colomina. Dan Graham. London: Phaidon, 2001.

Perrault, John. “Nonsites in the News.” New York Magazine, February 24, 1969.

Reynolds, Ann. Robert Smithson: Learning from New Jersey and Elsewhere. Cambridge, MA: MIT Press, 2003.

Robbins, Anthony. “Smithson’s Non-Site Sights.” Art News 67, no. 10 (February 1969): 50–3.

Roberts, Jennifer L. Mirror-Travels: Robert Smithson and History. New Haven, CT: Yale University Press, 2004.

Robinson, Julia, and Alfred M. Fischer, eds. George Brecht: Events; A Heterospective. Köln: W. König, 2005.

Rodenbeck, Judith F. Radical Prototypes: Allan Kaprow and the Invention of Happenings. Cambridge, MA: The MIT Press, 2011.

Rosenthal, Stephanie, ed. Allan Kaprow: Art as Life. Los Angeles: Getty Research Institute, 2008.

Scott, Emily. “Group Pioneering: Robert Smithson and circle’s early forays to the field.” In Architecture and Field/Work, edited by Suzanne Ewing, Jérémie Michael McGowan, Chris Speed, and Victoria Clare Bernie, 43–55. London and New York: Routledge, 2011.

Sharp, Willoughby. “Dennis Oppenheim interviewed by Willoughby Sharp.” Studio International 182 (November 1971): 186–7.

Simkin, Phillips M., and Lenore Malen. Letters: Long Beach Island, New Jersey, July 11–31, 1969. Loveladies, NJ: Long Beach Island Foundation of the Arts and Sciences, 1969.

Simonds, Charles. “Microcosm to Macrocosm / Fantasy World to Real World.” Artforum 12 (Feb. 1974): 38–39.

Simpson, Bennett, and Chrissie Iles, eds. Dan Graham: Beyond. Los Angeles: Museum of Contemporary Art; Cambridge, MA: MIT Press, 2009.

Sussman, Elizabeth, ed. Gordon Matta-Clark: You Are the Measure. New York: Whitney Museum of American Art; New Haven: Yale University Press, 2007.

Tsai, Eugenie, ed. Robert Smithson. Berkeley: University of California Press; Los Angeles: Museum of Contemporary Art, 2004.

Tufnell, Ben, and Douglas Fogle. Nancy Holt: Photoworks. London: Haunch of Venison, 2012.

Wagstaff, Samuel Jr. “Talking with Tony Smith: ‘I View Art as Something Vast.’” Artforum 5 (December 1966): 14–19.

Wasiuta, Mark, and Craig Buckley. Dan Graham’s New Jersey. Zurich: Lars Müller Publishers; New York: Columbia University GSAPP, 2011.

Williams, Alena J., ed. Nancy Holt: Sightlines. Berkeley: University of California Press, 2011.

Woodard, Komozi. A Nation with a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics. Chapel Hill; London: University of North Carolina Press, 1999.

Cunningham, John T. “I’m From New Jersey.” National Geographic 117 (January 1960): 1–45.

Gillespie, Angus Kress, and Michael Aaron Rockland. Looking for America on the New Jersey Turnpike. New Brunswick, NJ: Rutgers University Press, 1989.

Lurie, Maxine N., and Marc Mappen, eds. Encyclopedia of New Jersey. New Brunswick, N.J.: Rutgers University Press, 2004.

McPhee, John. The Pine Barrens. New York: Farrar, Straus & Giroux, 1968.

_____. “The Search for Marvin Gardens.” New Yorker (September 9, 1972): 45–62.

_____. “The People of New Jersey’s Pine Barrens.” National Geographic 145, no. 1 (January 1974): 52–77.

Mumford, Kevin J. Newark: A History of Race, Rights, and Riots in America. New York: New York University Press, 2007.

Snyder-Grenier, Ellen M. Turnpike Treasures: The Souvenirs and Stuff that Celebrate an American Phenomenon. Newark, NJ: The New Jersey Historical Society, 2001.

Tuttle, Brad R. How Newark Became Newark: The Rise, Fall, and Rebirth of an American City. New Brunswick, NJ: Rivergate Books, 2009.

Berry, Wendall. The Poetry of William Carlos Williams of Rutherford. Berkeley: Counterpoint, 2011.

Broderick, James F., ed. Paging New Jersey: A Literary Guide to the Garden State. New Brunswick, NJ: Rutgers University Press, 2003.

Díaz, Junot. The Brief Wondrous Life of Oscar Wao. New York: Riverhead Books, 2007.

Heard, Nathan C. Howard Street. New York: Signet Books, 1968.

Jones, LeRoi [Amiri Baraka]. The System of Dante’s Hell. New York: Grove Press, 1965.

Kerouac, Jack. On the Road. New York: Viking Press, 1957.

Oates, Joyce Carol, ed. New Jersey Noir. New York: Akashic Books, 2011.

Reed, Ishmael. The Free-Lance Pallbearers. Garden City, NY: Doubleday, 1967.

Roth, Philip. Goodbye, Columbus and Five Short Stories. Boston: Houghton Mifflin, 1959.

Shaw, Lytle. Fieldworks: From Place to Site in Postwar Poetics. Tuscaloosa: The University of Alabama Press, 2013.

Williams, William Carlos. Paterson. New York: New Direction, 1946.

Bongiorno, Marylou and Jerome. Revolution ’67 (2007).

Eliopoulos, Christina. Greetings from Asbury Park (2009).

Frank, Robert. The Sin of Jesus (1960).

Malle, Louis. Atlantic City (1980).

Togman, Jeffrey M. Home (2006).

Amiri Baraka/Leroi Jones Collection, 1954–1970 (1997–2004). Free Public Library of Newark, New Jersey.

Amiri Baraka/Leroi Jones Collection, 1961–1972. Free Public Library of Newark, New Jersey.

George Segal Papers. Rare Books and Special Collections, Princeton University Library.

Robert Smithson and Nancy Holt Papers. Archives of American Art, Washington, DC.

Allan Kaprow Papers. Getty Research Institute, Los Angeles, CA.

Robert Watts Papers. Getty Research Institute, Los Angeles, CA.

Yvonne Rainer Papers. Getty Research Institute, Los Angeles, CA.

“Amiri Baraka, from Black Arts to Black Radicalism.” The Black Power Movement, part 1. 9 microfilm reels. Bethesda, MD: University Publications of America, 2000.