Clytie, 2008

Watercolor and gouache over graphite
2017-1
Clytie

Interpretation

As in many of Colomba’s works, this watercolor expresses her intent to create an alternate history of black identity, expression, and community through the appropriation and disruption of traditional Western representations of biblical or mythological female characters. According to the Roman poet Ovid’s Metamorphoses, the sea-nymph Clytie was spurned by the sun god, Helios (later called Apollo), and slowly wasted away while gazing at his chariot traversing the sky; she was then transformed into a flower that always turns its face toward the sun. Although the flower in Ovid’s tale is thought to be a marigold or a heliotrope, by the seventeenth century it was usually depicted as a sunflower, native to the Americas. Here Colomba envisioned the traumatized Clytie as a woman of color, clothed not in classical drapery but in a mid-nineteenth-century ball gown. Squeezed into the corner of a lavishly decorated interior, she shrinks away from the sunflowers displayed in a Neoclassical vase on the mantel and the Baroque painting of Apollo above.

Information

Title
Clytie
Object Number
2017-1
Maker
Elizabeth Colomba
Medium
Watercolor and gouache over graphite
Dates
2008
Dimensions
22.9 × 22.9 cm (9 × 9 in.) frame: 43.8 × 33 cm (17 1/4 × 13 in.)
Credit Line
Museum purchase, gift of the PECO Foundation
Culture
French
Place made
North America, United States, New York, New York
Signatures
Signed and dated, lower left [vertical]: Elizabeth Colomba 08
Type
Materials

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