Interpretation
Quipus are central to Vicuña’s work, employed as a medium of poetry and a form of sculpture and used in ephemeral land-art installations and performances. For Vicuña, quipus evoke the ways in which language is tied to land, colonialism, and problems of translation. Chanccani Quipu is a bilingual text that the artist describes as "a metaphor in space; a book/sculpture that condenses the clash of two cultures and worldviews: the Andean oral universe and the Western world of print." Following the arrival of the Spanish, Hispanicized orthography was applied to the oral tradition of Quechua—as in the words quipu and quipucamayoc. This work reveals the inextricability of indigenous and colonial knowledge in contemporary culture.
Information
- Title
- Chanccani Quipu
- Object Number
- 2018-1
- Maker
- Cecilia Vicuña
- Medium
- Ink on knotted cords of unspun wool and bamboo
- Dates
- 2012
- Dimensions
- 136 × 43.5 cm (53 9/16 × 17 1/8 in.) box: 47 × 46.4 × 10.2 cm (18 1/2 × 18 1/4 × 4 in.)
- Credit Line
- Museum purchase, Sarah Lee Elson, Class of 1984, Fund for the International Artist-in-Residence Program at Princeton University Art Museum
- Culture
- Chilean
- Place made
- North America, United States, New York, New York
- Inscriptions
- I speak to you my thread bridge of my breath unspun wool begin now spin a threshold speech of light Cecilia Vicuña, Chanccani Quipu, 2010–11 Translated by the author with Jerome Rothenberg [original] A ti te hablo mi hebrá puente de aliento vellón sin hilar chanccani habla de lumbre hila el umbral
- Type
- Materials
- Techniques
Granary Books;
Purchased by Princeton University Art Museum
,[Granary Books Inc, New York, New York], sold; to Princeton University Art Museum, 2017.Feedback
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