Arashi Rikan II as the Shogun Taro, Nakamura Karoku I as Takiyosa, and Ichikawa Sukejiro in an unidentified role in a scene from the Play Soma Tarō Hyōbundan performed at the Naka Theater in 11/1832

Woodblock print (ōban tate-e diptych); ink and color on paper
2011-59 a-b
Arashi Rikan II as the Shogun Taro, Nakamura Karoku I as Takiyosa, and Ichikawa Sukejiro in an unidentified role in a scene from the Play Soma Tarō Hyōbundan performed at the Naka Theater in 11/1832

Information

Title
Arashi Rikan II as the Shogun Taro, Nakamura Karoku I as Takiyosa, and Ichikawa Sukejiro in an unidentified role in a scene from the Play Soma Tarō Hyōbundan performed at the Naka Theater in 11/1832
Object Number
2011-59 a-b
Description
This diptych depicts a performance of the Kabuki play Soma Tarō Hyōbundan.  While Kabuki was a typical subject in Edo-period prints, this print is unusual in that it places the scene in a landscape setting; the style of the landscape employs a painting mode invented by the Maruyama-Shijō workshop, one of the most important Kyoto-based painting studios of the Edo period.  This appropriation of a painting style for a theater print background was unusual and demonstrates the innovation of print artists working in Osaka. In the most interesting cases – as here – Osaka prints transformed the typical formulae of contemporary mainstream productions from the city of Edo.  This print also experiments with dramatic perspective.  Like many Osaka prints, it is technically accomplished – some of the best block carvers and printers worked in Osaka – and the condition is excellent.
Maker
Ryūsai Shigeharu 柳窗重春
Medium
Woodblock print (ōban tate-e diptych); ink and color on paper
Dimensions
each sheet trimmed to block: 37.8 x 26 cm. (14 7/8 x 10 1/4 in.) overall sheet (a-b, joined): 37.8 x 52 cm
Credit Line
Museum purchase, Laura P. Hall Memorial Fund, selected for acquisition by students in ART 425: The Japanese Print
Culture
Japanese
Period
Edo period
Place made
Asia, Japan
Type
Materials
Techniques

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