This fall, as part of a rich campus-wide initiative examining the ties of early University trustees, presidents, faculty, and students to the institution of slavery, the Museum is presenting a broad range of opportunities to explore the ways in which artists represent and engage with American history and wrestle with a legacy that puts Princeton not just at the center of our nation’s struggle for freedom but also at the heart of its long association with slavery.
The very idea of a residency, much like the nature of a campus community, took on a different character in 2020, requiring expansive thinking and new modes of convening.
Two years ago Princeton University engaged the services of Sir David Adjaye, his team at Adjaye Associates, and his collaborators at Cooper Robertson to design a new Museum facility, one that would meet a need that has been understood for...
In Market Front, the artist Kunié Sugiura creates a diptych from stretched canvases, painting an abstract gestural color field on one panel and printing a photograph of the boarded-up facade of a market on the Lower East Side of Manhattan...