Thinking about Design in African Art
The form an object takes results from the interplay of many factors. An object’s intended use, along with the particular materials and techniques needed to make it, presents practical constraints and also suggests opportunities. “Design thinking”—a contemporary concept often used in engineering and business—describes a practice that empathizes with a user’s needs and then experiments to develop and refine a solution. While not African in origin, considering design as a way of thinking allows us to appreciate the ways that African artists have addressed aesthetic, social, and spiritual demands within their work.
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Ceremonial seat (ngundja)Ceremonial seat (ngundja), early 20th century, before 1975
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Lidded cosmetic boxLidded cosmetic box, late 19th–20th century
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Cosmetic boxCosmetic box, late 19th century
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VesselVessel, late 19th–20th century
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Basket with lid (agaseki)Basket with lid (agaseki), late 19th–early 20th century
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Basket with lid (agaseki)Basket with lid (agaseki), 20th century
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Basket with lid (agaseki)Basket with lid (agaseki), 20th century
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Basket with lid (agaseki)Basket with lid (agaseki), 20th century
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CalabashCalabash,
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Headrest with staffHeadrest with staff, late 19th–20th century
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HeadrestHeadrest, 20th century
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Snuff spoon (intshengula or izintshengula)Snuff spoon (intshengula or izintshengula), probably 20th century
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