On view

Art of the Ancient Americas

Vessel in the form of a seated warrior,

330–430 CE

Nasca
Early Intermediate Period (Middle Nasca phase)
y1990-15
Only a small percentage of Nasca ceramics were finely painted, with a smaller subset modeled into naturalistic forms. Within this extraordinary group of ceramics, human representations were among the rarest subjects. The bridge-spout vessel displayed at the top presents two men, identifiable as warriors by their spear-throwers and darts. The vessel on the lower left also represents a warrior holding the same weapons across his chest. He shares the checkerboard tunic style of one of the warriors above. Inka warriors wore this same black-and-white design a millennium after these vessels were created. The seated woman with hands resting on her knees is more fully modeled. Although the figure was created nude, it was dressed in a separate textile skirt and a gauzy capelet (not on display), a red textile necklace, and the necklace of strung bird bones she currently wears.

More Context

Didactics

Information

Title
Vessel in the form of a seated warrior
Dates

330–430 CE

Medium
Ceramic with polychrome slip-paint
Dimensions
h. 11.7, diam. 10.4 cm (4 5/8 × 4 1/8 in.)
Credit Line
Gift of Carol R. Meyer in honor of Gillett G. Griffin
Object Number
y1990-15
Place Made

South America, Peru, South coast

Culture

1990, gift of Carol R. Meyer, New York, to the Princeton University Art Museum.