Reconfiguring Historical Constructions
Reconfiguring Historical Constructions
These works employ specific visual frameworks that question social constructions of being black in the United States. The works rely upon the audience to acknowledge these visual contexts, while also compelling us to question their familiarity. Several of these objects also explore the implications that the history of slavery has on modern and contemporary representations of Blackness.
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Self-PortraitSelf-Portrait,
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Crest of Pine Mountain. Harper's Pictorial History of the Civil War (Annotated)Crest of Pine Mountain. Harper's Pictorial History of the Civil War (Annotated), 2005
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In Harriet Tubman I Helped Hundreds to FreedomIn Harriet Tubman I Helped Hundreds to Freedom, 1946, printed 1989
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Frederick Douglass (1817-1895)Frederick Douglass (1817-1895), 1983
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House/Field/Yard/Kitchen, from the series From Here I Saw What Happened . . . And I CriedHouse/Field/Yard/Kitchen, from the series From Here I Saw What Happened . . . And I Cried, 1995–96
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Scarred Chest, from the series B®andedScarred Chest, from the series B®anded, 2003
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The Cotton Bowl, from the series Strange FruitThe Cotton Bowl, from the series Strange Fruit, 2011