Autonomy of Expression
When not tethered to the preparatory process for altarpieces or palatial decorations, Italian artists made drawings as a distraction, often taking inspiration from literary or historical sources. Increasingly, the worlds of nature and everyday life became the focus of the artist’s imagination, as highlighted in Guercino’s remarkable caricatures. The growing status of drawing as an autonomous and collectible work of art is evident in several examples, including the highly finished pair of devotional images by Bartolomeo Passarotti, made as a gift or on commission.
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View of PesaroView of Pesaro,
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Two Men Playing Racket Game in an InteriorTwo Men Playing Racket Game in an Interior,
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Two CattleTwo Cattle, late 1580s
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Allegorical SceneAllegorical Scene, ca. 1520
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Scene of a Village Square in TuscanyScene of a Village Square in Tuscany, 1633
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CleopatraCleopatra, ca. 1520
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Julius Caesar Swimming to Safety in the Harbor of AlexandriaJulius Caesar Swimming to Safety in the Harbor of Alexandria, ca. 1805–15
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Album of Caricature DrawingsAlbum of Caricature Drawings, assembled early 18th century
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Head of Young Man in a Broad-Brimmed HatHead of Young Man in a Broad-Brimmed Hat, 1630s–40s
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Woman with Deformed LipsWoman with Deformed Lips, 1630s–40s
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Beggar Carrying a Child on His ShoulderBeggar Carrying a Child on His Shoulder, 1630s–40s
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Landscape with a Church beside a Lake with BoatsLandscape with a Church beside a Lake with Boats, ca. 1630–40
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