Technique
Knowledge of the materials and techniques of drawing—as well as the methods and materials of papermaking—often is essential to determining the country, artist, and workshop from which a drawing originated. Of the more than one hundred Italian drawings in this exhibition, most are executed in pen and brown ink, further analysis would likely reveal that the ink is iron gall, an acidic black ink that eventually turns brown with exposure to air. Other drawings in the exhibition are executed in black or red chalk (or a combination of the two), both of which are naturally occurring and contain clay, which makes the material relatively soft and easy to use. Black chalk was used for some early Italian drawings, and it would not be until the fifteenth and sixteen centuries that red chalk was favored by such artists as Leonardo da Vinci, who exploited the medium for its atmospheric effects.
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An Academy of PaintersAn Academy of Painters, ca. 1600
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Cherub’s HeadCherub’s Head, ca. 1530
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Girl Drawing a Profile, and Four Heads of YouthsGirl Drawing a Profile, and Four Heads of Youths, ca. 1600–10
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Bearded MonkBearded Monk, 1630s
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Christ the Redeemer with a WorshipperChrist the Redeemer with a Worshipper, ca. 1500
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Head of a Bearded Man, Looking UpHead of a Bearded Man, Looking Up, 1740s (?)
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Design for the Façade of Casa OrsiDesign for the Façade of Casa Orsi, ca. 1570s
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Youth Carrying a StaffYouth Carrying a Staff,
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Brigands under SiegeBrigands under Siege, 1832
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Study for Saint James MajorStudy for Saint James Major, ca. 1535–39