Valerie Russ
The Philadelphia Inquirer, March 3, 2025
Artist Rose B. Simpson's Powerful Work to be Featured at the Princeton University Art Museum
Installation opens July 23 at the Museum’s downtown gallery space Art@Bainbridge
“Simpson’s materially and texturally rich sculptures invite us into dialogue, seeking an empathetic response that can pull us out of ourselves,” said James Steward, Nancy A. Nasher–David J. Haemisegger, Class of 1976, Director. “They look back at us, demanding introspection and acknowledgment of our actions.”
Simpson’s work interrogates the human condition as an accumulation of lived experiences, distilling specific aspects of such moments in her own life into each sculpture. Through her work, Simpson seeks the tools to heal the damages she has experienced as a human being—issues such as objectification, stereotyping and the disempowering detachment of our creative selves through modern technology.
The exhibition is curated by Bryan R. Just, the Princeton University Art Museum’s Peter Jay Sharp, Class of 1952, curator and lecturer in the art of the ancient Americas.
“When viewing my work, I want visitors to find parts of themselves that may not be easily accessed or that our common culture has not fostered in them,” said Simpson. “I want them to release their stereotypes and their judgments and begin to see their objectification so that they can start to access with a different emotional lens.”
Simpson’s sculptures will be exhibited at Art@Bainbridge, in what was a home built in 1766, during the early American colonial period. According to Simpson, “I want my works to go into the hardest of places; they’re intended to infiltrate. And those pieces are watching the viewers. Witnessing happens both ways. Viewers might be looking at the sculpture, but that work is also watching them. That’s very intentional.”
Art@Bainbridge is made possible through the generous support of the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Kathleen C. Sherrerd Program Fund for American Art; Joshua R. Slocum, Class of 1998, and Sara Slocum; Barbara and Gerald Essig; and Rachelle Belfer Malkin, Class of 1986, and Anthony E. Malkin. Additional support is provided by Sueyun and Gene Locks, Class of 1959; the Humanities Council; and the Native American and Indigenous Studies Initiative at Princeton (NAISIP).
About the Princeton University Art Museum
With a collecting history that extends back to 1755, the Princeton University Art Museum is one of the leading university art museums in the country, with collections that have grown to include more than 113,000 works of art ranging from ancient to contemporary art and spanning the globe. Committed to advancing Princeton’s teaching and research missions, the Art Museum also serves as a gateway to the University for visitors from around the world.
The main Museum building is currently closed for the construction of a bold and welcoming new building, designed by Sir David Adjaye and slated to open in late 2024.
Art@Bainbridge is located in downtown Princeton at 158 Nassau Street. Art@Bainbridge hours are Tuesday and Wednesday, 11 a.m. to 5 p.m.; Thursday and Saturday, 11 a.m. to 6 p.m.; Friday, 11 a.m. to 7 p.m.; and Sunday 11 a.m. to 4 p.m. Art on Hulfish, the Museum’s photo-focused gallery located at 11 Hulfish Street in Palmer Square, also in downtown Princeton, is open daily. Admission to both galleries is free.
Please visit the Museum’s website for digital access to the collections, a diverse portfolio of programs and details on visiting our downtown galleries. The Museum Store in Palmer Square, located at 56 Nassau Street in downtown Princeton, is open daily, or shop online at princetonmuseumstore.org.
More information: artmuseum.princeton.edu
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Princeton University Art Museum
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