Cary Y. Liu, the Nancy and Peter Lee Curator of Asian Art, retired from the Museum at the end of February after a distinguished thirty-three-year career.

Four recent acquisitions, made between 2010 and 2022, demonstrate one avenue of our collecting focus: portraiture and images that reify status and rank.

In 2012 Princeton acquired an eighth-century Japanese manuscript of twenty lines. The pithy text, called the Heart Sutra , is said to encapsulate the wisdom of the Buddha through such enigmatic phrases as “form is emptiness, emptiness is form.” But...

Feasting was an important social and ritual activity in China from the Bronze Age through the imperial period and retains a strong cultural significance to this day. The Eternal Feast illuminates the impact of the culture of feasting on China...

Three galleries in the Art Museum are currently filled with this prodigious output in the exhibition Picturing Place in Japan . Each gallery treats a different theme: Imagined Places, Famous Places, and Sacred Places, with a final coda of photographs...

Picturing Place in Japan focuses on Japanese representations of place from the sixteenth to the early twentieth century. Three long-standing traditions of place in the visual arts form the core of the exhibition: “imagined places,” “famous places,” and “sacred places,”...

During the summers of 2013 and 2016, Princeton University art history graduate students had the opportunity to travel to New Orleans to experience in person the distinguished Gitter-Yelen Collection of Japanese art, also known as the Manyo’an Collection of Art,...