Music and Art: Medieval
Explore artworks in the medieval collection as you listen to a selection of medieval music recorded by Early Music Princeton (EMP) undergraduate and graduate students, faculty, and staff. EMP is a University ensemble whose members study and perform a vocal and instrumental repertoire spanning the centuries from medieval and Renaissance to high Baroque, with a special focus on historical performance practices.
Wendy Young, Director, Early Music Princeton
Jacqueline Horner-Kwiatek, Music Director
Soprano
Katie Chou '23
Sara Hagenbuch, Staff
Jacqueline Horner-Kwiatek, Faculty
Frances Mangina '22
Alto
Glenda Chen '20
Meigan Clark '22
Emily Weiss '22
Rosamond van Wingerden '20
Tenor
Matthew McDonald, Graduate Student
Takumi Murayama, Postdoctoral Research Fellow
Dorian Pousont '21
Baritone/Bass
Gabriel Crouch, Faculty
Peter Fisher '21
Hank Ingham '23
Theo Trevisan '21
"Portum in Ultimo", 12th century (attributed to Bishop Ato of Troyes, dates unknown)
This early example of polyphony, a multivoice piece with independent melody lines coming together to form a cohesive musical sound, is found in the Codex Calixtinus, a manuscript in five volumes dating from around 1140 that includes stories and music celebrating the Feast of Saint Iago, or Saint James, the patron saint of Spain. The manuscript is kept in the Cathedral of Santiago in Compostela. The text of this beautiful piece takes the form of a prayer, asking Saint James to help the recently deceased purge their sins so that they may enter paradise.
French
"Quant voi la fleur en l’arbroie", 14th century (Anonymous)
A motet is a polyphonic choral piece, sacred or secular, usually unaccompanied. This 2-part motet comes from the Montpellier Codex, an important source of 13th-century French polyphony, both sacred and secular. This motet is an example of a pastoral love song: it tells the story of a shepherd girl singing and playing the flute while she waits for her lover under an olive tree in the woods.
Follower of the Master of the Dangolsheimer Madonna, South German
"Es ist ein Ros Entsprungen”, 15th/16th century (Melchior Volpius, 1570–1615; Michael Praetorius, 1571–1621)
This famous hymn is of German origin. The text, by an anonymous author, dates to the 15th century. The familiar tune first appeared in the Speyer Hymnal (Cologne, 1599) and was arranged for 4-part choir (soprano, alto, tenor, bass) by the German composer Michael Praetorius in 1609. The version for four voices in canon (similar to a round) was written by Praetorius’s contemporary Melchior Vulpius.