On view

Martyrdom of Saint George,

13th century and ca. 1918–22

French
y71
Purchased by the museum in the early twentieth-century as an authentic, intact medieval stained-glass window, this object is actually a composite made up of modern inserts, old glass that has been repurposed, and old glass that has been altered or repainted. Several fragments, notably the head and torso of the figure do come from a window of the same subject-Saint George's martyrdom on a wheel-from the Choir of Chartres Cathedral. However, even these have been heavily retouched. The Chartres Choir window showing Saint George was removed in the eighteenth-century to allow more light into the church. The glass presumably was salvaged to use for repairs to other windows. Indeed, evidence suggests that by the nineteenth-century Saint George-still intact with his wheel-formed part of a window made up of mismatched glass in one of the cathedral's side chapels, which, in turn, had been destroyed in the French Revolution. During World War I, all the glass in the church was removed for safe keeping. After the war, the chapel received a new window and part of the Saint George-a piece of the wheel and one of the saint's arms-was moved to a transept window where it can still be seen today. Soon thereafter, the Princeton fragments found their way into this glass medallion and surfaced in a sale at the Hôtel Drouot in Paris as part of the collection of the dealer Raoul Heilbronner.

More About This Object

Information

Title
Martyrdom of Saint George
Dates

13th century and ca. 1918–22

Medium
Pot-metal glass
Dimensions
170 × 131 cm (66 15/16 × 51 9/16 in.) frame (exterior of armature): 172.2 × 133 × 7.6 cm (67 13/16 × 52 3/8 × 3 in.)
Credit Line
Museum purchase, Trumbull-Prime Fund, in 1924
Object Number
y71
Place Made

Europe, France, Eure-et-Loir, Chartres

Culture
Materials

Chartres Cathedral choir clerestory;

removed 1773 or 1788 and stored (?) [1];

in 1816, used to repair Vendôme chapel window at Chartres that was partially destroyed during the French Revolution [2];

stored in Chartres Cathedral crypt during World War I (1914-1918) [3];

removed from Vendôme Chapel window c. 1918-1924.

Collection of Raoul Heilbronner (d.1941) [4].

Sold Hôtel Drouot, June 23, 1922, lot 33 [5];

purchased by E. Ruegg, Lausanne, Switzerland [6];

purchased 1923 by Frank Jewett Mather, Jr. (1868-1953), Director (1922-1946) of Princeton University Museum of Historic Art (now Princeton University Art Museum) [7];

transferred 1923 to Princeton University Museum of Historic Art [8].

Notes:

[1] Likely stored in cathedral storage rooms: Yves Delaporte, Les Vitraux de la Cathedrale de Chartres I: Texte (Chartres: Houvet, 1926), 68-69; Elizabeth Carson Pastan and Mary B. Shepard, "The Torture of Saint George Medallion from Chartres Cathedral in Princeton," Record of the Art Museum, Princeton University 56, no. 1/2 (1997): 15.

[2] Upper left quadrant of medallion seen and described by historian and archaeologist Baron Ferdinand de Guilhermy in 1858: "1ème baie: Débris confus de vitraux du XIIIe siècle.... Fragment, d'un personnage, probablement un martyr, nimbé, nud, attaché à une roue," Baron Ferdinand de Guilhermy, "Description des localités de la France," Paris, Bibliothèque nationale, MS Nouv. acq. fr. 6098, vol. V, f. 212v.; Claudine Lautier, Recensement des vitraux anciens de la France, 2: Les vitraux du centre et des pays de la Loire (Paris, 1981), 2, 33, Bay 40.

[3] Delaporte, Les Vitraux de la Cathédrale de Chartres, I: Texte, 112-116.

[4] Raoul Heilbronner was a dealer specializing in Gothic and Renaissance antiques. He was active in Paris during the late 19th and early 20th centuries.

[5] At the beginning of World War I, France named Heilbronner, a German citizen, an enemy alien. The French government confiscated his collection and sold most of it in a series of auctions as reparations for war damages, according to the terms of the Treaty of Versailles. This window was sold in the seventh sale.; "Grand Vitrail peint en couleurs, représentant un saint supplicié. Il est attaché à une roue et martyrisé par deux personnages." Hôtel Drouot, Sequestre Raoul Heilbronner: Catalogue des Objets d'art et de Curiosité Principalement des XVIe et XVIIIe siècles: Collections de M. Raoul Heilbronner, sale catalogue (Paris, 22 -23 June 1922), p. 8, lot 33.

[6] Ruegg wrongly stated that the window came from the collection of Eugène Emmanuel Viollet-le-Duc. See February 7, 1928 letter from E. Ruegg to Frank Jewett Mathew, Jr. in the curatorial file; also see Pastan and Shepard, "The Torture of Saint George Medallion from Chartres Cathedral in Princeton," 17-18.

[7] Mather purchased the window September 21, 1923 with the intention of consigning it to the Museum and charging it to the Trumbull-Prime fund. See September 21, 1923 letter from Frank Jewett Mather, Jr. to Allan Marquand in the PUAM curatorial file; see also letter from E. Ruegg to Frank Jewett Mather, Jr., 7 February 1928.

[8] September 21, 1923 letter from Frank Jewett Mather, Jr. to Allan Marquand in the PUAM curatorial file.