Multitudes
Multitudes, an installation of works from the Art Museum’s collections of Modern and Contemporary Art, explores the expressive power of accretion, amalgamation, repetition and collaborative practice across varied media. As systems of production and replication were automated then digitized throughout the twentieth century and into the twenty-first, artists have grappled with the methods and meaning of this development in their practice. Artworks by El Anatsui, Vik Muniz, Howardena Pindell, Allan McCollum, John Baldessari and others ask us to consider questions such as: how does the presence of the artist’s hand, incorporation of chance-based procedures, or reliance on personal memory confront systems of mechanized production?
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Santa AnaSanta Ana, 2016
Mary Weatherford -
UntitledUntitled, 1977
Howardena Doreen Pindell, American, born 1943 -
Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts)Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973
John Baldessari, American, 1931 - 2020 -
Large White NetLarge White Net, 1958
Yayoi Kusama, Japanese, born 1929 -
Another PlaceAnother Place, 2014
El Anatsui, Ghanaian, born 1944; based in Nigeria -
NarcissusNarcissus, 2005
Vik Muniz, American, born Brazil, 1961 -
Mat 120 × 165 #19-01Mat 120 × 165 #19-01, 2019
Suki Seokyeong Kang, Korean, born 1977 -
Four Right AnglesFour Right Angles, 1972
Jennifer Bartlett, American, born 1941 -
from The Shapes Projectfrom The Shapes Project, 2005–present
Allan McCollum, American, born 1944 -
Details from the view at Point Sublime on the north rim of the Grand Canyon, based on the panoramic drawing by William Holmes (1882).Details from the view at Point Sublime on the north rim of the Grand Canyon, based on the panoramic drawing by William Holmes (1882)., 2007
Mark Klett and Byron Wolfe -
Two Journeys into the Hidden PassageTwo Journeys into the Hidden Passage, 2011
Mark Klett and Byron Wolfe -
From Nowhere NearFrom Nowhere Near, 1999
Uta Barth, American, born Germany, 1958
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