Between 1984 and 1999, the American artist Frank Stella executed four ambitious print series, each of which was named after a literary work that had a distinctive narrative structure: the Passover song Had Gadya, a compilation of Italian folktales, the epic novel Moby-Dick, and the illustrated encyclopedia Dictionary of Imaginary Places. Through these four bodies of work, Stella evolved printmaking projects of unprecedented scale and complexity that both transformed the artist’s visual language—as well as his working process in all media—and represent a technical and expressive milestone in printmaking. Featuring forty-one prints from these four major series alongside their literary catalysts, Frank Stella Unbound: Literature and Printmaking will be the first exhibition to focus exclusively on the vital role that world literature played in his powerful exploration of the print medium.
Frank Stella Unbound: Literature and Printmaking
Frank Stella Unbound: Literature and Printmaking has been made possible with generous support from the Barr Ferree Foundation Fund for Publications, Department of Art and Archaeology, Princeton University; the Andrew W. Mellon Publications Fund; the National Endowment for the Arts; Preston Haskell, Class of 1960; the Douglas A. Hirsch and Holly S. Andersen Family Foundation; Susan and John Diekman, Class of 1965; William H. Walton, Class of 1974 and Dori Walton, Class of 1978; Stacey Roth Goergen, Class of 1990, and Robert B. Goergen; and William S. Fisher, Class of 1979, and Sakurako Fisher, through the Sakana Foundation. Additional support has been provided by the Judith and Anthony B. Evnin, Class of 1962, Exhibitions Fund; the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts; the Allen R. Adler, Class of 1967, Exhibitions Fund; Lynn and Robert F. Johnston, Class of 1958; and Ivy Lewis.