The Rouge, Study 100, Dearborn, Michigan

© Michael Kenna

The Rouge, Study 100, Dearborn, Michigan

Currently not on view

The Rouge, Study 100, Dearborn, Michigan,

1995

Michael Kenna, born 1953 Widnes, UK; active Seattle, WA
1997-29.100
View full record

More Context

Special Exhibition

<p>Kenna often merges a sense of industrial power with memory. Here, clouds of steam and trails of smoke drift across the powerful black lines of the smokestacks, suggestive of the pulsing activity within even as the structure is shrouded in latter-day romanticism.</p>

More About This Object

Exhibition: Rouge: Michael Kenna

Information

Title
The Rouge, Study 100, Dearborn, Michigan
Dates

1995

Maker
Michael Kenna
Medium
Gelatin silver print
Dimensions
19.3 x 18.9 cm. (7 5/8 x 7 7/16 in.) mount: 50.8 x 40.6 cm. (20 x 16 in.)
Credit Line
The Ford Rouge Complex Collection, gift of the Ford Motor Company
Object Number
1997-29.100
Place Depicted

North America, United States, Michigan, Dearborn

Inscription
Inscribed in pencil, recto below lower left corner of image: 1/45 Signed and dated in pencil, recto below lower right corner of image: Michael Kenna 1995. Inscribed in pencil, verso lower center: THE ROUGE, STUDY 100, DEARBORN, MICHIGAN Stamped in ink, below: Negative 1995 (in pencil) Print 1995 (in pencil) / © MICHAEL KENNA / This 7½” x 7½” Sepia toned Silver Gelatin / print is #1 (in pencil) in a limited edition. The total / number of prints in this edition will not / exceed 45 and 4 artist proofs. All prints / are made by Michael Kenna. Signed in pencil, below: Michael Kenna
Culture
British
Type
gelatin silver prints, black-and-white photographs, photographs
Techniques
gelatin silver process
Subject
powerhouses, industrial landscapes, steam, industrial complexes

IIIF manifest

The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. Visit iiif.io to learn more.

Open API URL

Our API is generally designed to provide programmatic access to the Museum's collections data for applications that require regular updates and/or the ability to dynamically query and filter the data via the endpoints provided.

Share your feedback with us

The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

Explore More

Photography as a Way of Life: Minor White, Aaron Siskind, and Harry Callahan Article

The Tang Center at 25

Nick Cave, Let me kindly introduce myself. They call me MC Prince Brighton., 2025

Mosaic Restaurant