© Estate of Jennifer Bartlett
On view
Mitchell Wolfson, Jr. Gallery
Four Right Angles,
1972
Bartlett often used a grid to structure her artworks, reflecting, “Anything can be seen in terms of a grid. By having two lines intersecting, you have a little small defined space.” In Four Right Angles, the first four plates of each row represent different permutations of the same “rule,” while the last plate of each row collates and summarizes the preceding permutations. For Bartlett, this method of creation was not only a conceptual process but also a painterly one. As she later noted, “You’re going to get a variation in the thinness or thickness of the paint, you know, as it gets used up from the brush, and that creates its own rhythm, which is not in the least a mechanical one.”
Information
1972