On view
Duane Wilder Gallery
Saint Francis Praying beneath a Tree,
1657
These works show saints who, in pursuit of salvation, chose lives of solitude and self-deprivation. Saints Mary Magdalene, Francis, and Jerome wear humble robes and gaze at crucifixes; the two men each kneel before an open book, with much of the composition given over to their environment. Rembrandt has represented Francis praying at center while behind him a monk, likely Francis’s disciple Leo, pores over scriptures. Rembrandt’s print employs a rich range of tonality and finish, from the velvety blacks of the tree and crucifix to the few summary marks that depict Leo. Similarly, Guercino’s tight hatching in Mary’s face loosens to sweeping diaphanous pen strokes around her waist. The barely discernible form in her left hand is a skull, a reminder of the transience of this life and the importance of preparing for the next.
Information
1657
Europe, Netherlands
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- Ludwig Münz, Rembrandt's Etchings: Reproductions of the Whole Original Etched Work (London: Phaidon Press, 1952)., no. 48
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"Recent acquisitions", Record of the Art Museum, Princeton University 20, no. 1 (1961): p. 24-27.
, p. 24 - George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968)., no. 34
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F.W.H. Hollstein, “Rembrandt,” Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700 (Amsterdam: M. Hertzberger, 1969).
, no. 23 -
Erik Hinterding and Jaco Rutgers, Ger Luijten, ed., "Rembrandt," New Hollstein Dutch & Flemish etchings, engravings and woodcuts, 1450-1700 (Ouderkerk aan den Ijssel: Sound & Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).
, no. 135, p. 215 - Arthur Mayger Hind, Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings (New York: Scribner, 1912)., 141