Miya: Festival of the Atsuta Shrine (Miya, Atsuta shinji 宮 熱田神事), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)
Miya: Festival of the Atsuta Shrine (Miya, Atsuta shinji 宮 熱田神事), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)
Miya: Festival of the Atsuta Shrine (Miya, Atsuta shinji 宮 熱田神事), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)
Miya: Festival of the Atsuta Shrine (Miya, Atsuta shinji 宮 熱田神事), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)

Currently not on view

Miya: Festival of the Atsuta Shrine (Miya, Atsuta shinji 宮 熱田神事), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内),

ca. 1833–34 [Tenpō 4–5]

Utagawa Hiroshige 歌川 広重, 1797–1858; born and died Tokyo, Japan
Published by Takenouchi Magohachi 竹内孫八
Japanese
Edo period, 1603–1868
1997-548

Information

Title
Miya: Festival of the Atsuta Shrine (Miya, Atsuta shinji 宮 熱田神事), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)
Dates

ca. 1833–34 [Tenpō 4–5]

Maker
Utagawa Hiroshige 歌川 広重
Published by Takenouchi Magohachi 竹内孫八
Medium
Woodblock print (ōban yoko-e format); ink and color on paper
Dimensions
block: 22 × 34.2 cm (8 11/16 × 13 7/16 in.) sheet: 24 × 36.4 cm (9 7/16 × 14 5/16 in.) mat: 36.2 × 48.9 cm (14 1/4 × 19 1/4 in.)
Credit Line
Gift from the collection of Anne van Biema
Object Number
1997-548
Place Made

Asia, Japan

Signatures
signed: “Hiroshige ga” 廣重畫
Marks/Labels/Seals
Publisher’s seal: “Hōeido ban” 保永堂版 (ca. 1832–34)
Culture
Japanese
Period
Edo (Japanese period)
Type
japanese printmaking styles, oban, woodblock prints, prints
Materials
oban, color, ink, paper
Techniques
woodcut (process)
Subject
horses, ceremonies, road and roadside elements, Shinto, men, figures (representations), shrines, stations

–1997 Anne van Biema collection (New York, NY), by gift to the Princeton University Art Museum, 1997.

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