Currently not on view
Adam and Eve,
1504
is demonstrated in the skillful rendition of different textures, including human and snake skin, animal fur, and tree bark.
More Context
Special Exhibition
Dürer’s print depicts the fateful moment in the biblical narrative when Eve, having been tricked by Satan in the guise of a serpent, disobeys God and offers Adam the forbidden fruit from the Tree of Knowledge. Their disobedience led to the couple’s expulsion from Paradise, an event known as the Fall of Man. In the lower portion of the image, four animals represent the four temperaments, or humors, that were thought to govern the human condition after the Fall: the rabbit (sanguine), the bull (phlegmatic), the cat (choleric), and the elk (melancholic). This ancient theory, which prevailed throughout Dürer’s time, posited that an individual’s personality and ailments were determined by the predominant humor in their body—signified by blood, phlegm, yellow bile, and black bile. Practitioners would assess the balance or imbalance of these humors when considering appropriate treatment.
More About This Object
Information
1504
Europe, Germany, Nuremburg
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Adam vom Bartsch, "Volume 7," Le peintre graveur ... (Vienne: J. V. Degen, 1803-05).
, nos. 16–52, pp. 119–122 -
Sylvester Rosa Koehler, A Chronological Catalogue of the Engravings, Dry-points and Etchings of Albert Dürer, as Exhibited at the Grolier Club (New York: The Grolier Club, 1897).
, no. 83, pp. 71–72 - Arthur Mayger Hind, Albrecht Dürer: his engravings and woodcuts (New York: Frederick A. Stokes Company, 1911)., p. 14
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Campbell Dodgson, Albrecht Dürer (London: Medici Society, 1926).
, nos. 60–96 - Joseph Meder, Dürer-Katalog, ein handbuch über Albrecht Dürers stiche, radierungen, Holzschnitte, deren zustände, ausgaben und wasserzeichen (Vienna: Gilhofer & Rauschburg, 1932)., nos. 125–161
- Erwin Panofsky, Albrecht Dürer (Princeton: Princeton University Press, 1945).
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"Recent acquisitions", Record of the Art Museum, Princeton University 20, no. 1 (1961): p. 24-27.
, p. 25 -
F.W.H. Hollstein, “Dürer,” German engravings, etchings, and woodcuts, ca. 1400-1700 (Amsterdam: M. Hertzberger, 1962).
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Rainer Schoch, Matthias Mende, and Anna Scherbaum, Albrecht Dürer: das druckgraphische Werk (München: Prestel, 2001).
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