On view

European Art
Duane Wilder Gallery

Shrove Tuesday,

1616–41

Jan van de Velde II, 1593–1641; born Rotterdam, Netherlands; died Enkhuizen, Netherlands; active Enkhuizen and Haarlem, Netherlands
after Pieter Molyn, 1595–1661; born Haarlem, Netherlands; died London, England
x1960-49

Nocturnes presented peculiar challenges to printmakers in the seventeenth century. Besides the difficulties of managing distinct light sources
and the paradox of depicting what was meant to be shrouded in shadow, printmakers had to develop methods for rendering darkness in a purely linear medium. Goudt became adept at engraving dark scenes with dramatic gradations of light using only dense grids of hatched lines. His technique influenced printmakers such as Van de Velde and, later, Rembrandt. Although similar in format and style, these two prints’ subjects are completely different. Goudt depicted a story from Ovid’s first-century Metamorphoses in which the goddess Ceres stops for water while searching for her abducted daughter, Proserpina, and is mocked by a child for her thirst. She rewards his insolence by transforming him into a lizard. Van de Velde illustrated a contemporary street scene—the nighttime celebration of Vastenavond, or Shrove Tuesday, the festival preceding Lent.

Information

Title
Shrove Tuesday
Dates

1616–41

Medium
Engraving
Dimensions
plate: 22.1 x 17.1 cm. (8 11/16 x 6 3/4 in.) sheet: 23.6 x 19.3 cm. (9 5/16 x 7 5/8 in.)
Credit Line
Museum purchase, Laura P. Hall Memorial Fund
Object Number
x1960-49
Place Made

Europe, Netherlands

Inscription
Signed in plate below image, lower left corner: J.V. Velde / scul. Two lines of Latin inscribed in plate below image, lower center: Ludere sic ... venter eget. Inscribed in plate below image, lower right corner: P. de Molyn / inve.
Reference Numbers
Hollstein 150
Culture
Materials

Purchased by Princeton University Art Museum, 1960.