Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
1423 Webster Street, San Francisco
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Benicia, California
Sequence 3: Knotholes and Doorknobs

© Trustees of Princeton University

Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs
Sequence 3: Knotholes and Doorknobs

Currently not on view

Sequence 3: Knotholes and Doorknobs,

1948

Minor White, 1908–1976; born Minneapolis, MN; died Boston, MA; active Portland, OR, and Rochester, NY
x1980-640/1116

Information

Title
Sequence 3: Knotholes and Doorknobs
Dates

1948

Maker
Minor White
Medium
Bound album with 16 gelatin silver prints
Dimensions
album: 27.1 × 34.3 × 1 cm (10 11/16 × 13 1/2 × 3/8 in.)
Credit Line
The Minor White Archive, Princeton University Art Museum, bequest of Minor White
Object Number
x1980-640/1116
Inscription
Typed and signed on titlepage: Knotholes And Doorknobs \speak the secrets \of eyes, taking over passion from the flesh / Fall of 1948 / Minor White
Culture
American
Type
albums, gelatin silver prints, black-and-white photographs, photographs

By bequest to the Princeton University Art Museum from Minor White (1908–1976).

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The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

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