On view

Art of the Ancient Americas

Standing figure,

200–350 CE

Teotihuacán
Early Classic Period (Tlamimilolpa phase)
2016-1074
In the first centuries CE, Teotihuacan grew rapidly to become a massive metropolis, the largest in the Americas with perhaps 250,000 inhabitants. It was a cosmopolitan city with neighborhoods of migrant communities from throughout Mesoamerica. Part of Teotihuacan’s urban success was likely the result of its control over key sources of obsidian, a volcanic glass used to produce sharp, utilitarian blades but also meticulously flaked for use as fragile offertory objects. Fine ceramic vessels took distinctive forms, such as lidded tripods and floreros. The shape of the latter parallels modern flower vases though their ancient function is uncertain. Stone masks once may have adorned mortuary bundles, possibly lining the central road of the city and inspiring its name among the later Mexica as the micca otlica, the “Street of the Dead.” Teotihuacan’s political involvement and artistic influence is attested throughout much of Mesoamerica during its heyday and after.

More About This Object

Information

Title
Standing figure
Dates

200–350 CE

Medium
Stone with red pigment
Dimensions
6.1 × 2.4 × 1.5 cm (2 3/8 × 15/16 × 9/16 in.)
Credit Line
Bequest of Gillett G. Griffin
Object Number
2016-1074
Place Made

North America, Mexico, Central Mexico, Teotihuacán

Culture
Materials

By 1967, Gillett G. Griffin (1928-2016), Princeton, NJ [1]; 2016, bequest of Gillett G. Griffin to the Princeton University Art Museum.

Notes:
[1] Griffin lent the work to the Museum in 1967 (L.1967.69).