Currently not on view

Pines, Waves, and Mountains,

1916

Imao Keinen 今尾景年, 1845–1924
Japanese
Taishō era, 1912–1926
2017-8
One of the foremost painters of the Meiji era, Imao Keinen worked on several variations of the theme of pine, waves, and mountains. This is the largest painted version, and it represents the artist at his finest. Two years prior to executing this painting, Keinen made a similar work that was transformed into a monumental embroidery measuring nine meters wide that was displayed in the Imperial Palace. This painting was done using ink left over from that imperial commission.

Information

Title
Pines, Waves, and Mountains
Dates

1916

Medium
Hanging scroll; ink and color on silk
Dimensions
Painting: 142.5 × 227.7 cm (56 1/8 × 89 5/8 in.) mount: 237.5 × 267 cm (93 1/2 × 105 1/8 in.) mount: 237.5 × 280 cm (93 1/2 × 110 1/4 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund and gift of the P. Y. and Kinmay W. Tang Center for East Asian Art
Object Number
2017-8
Place Made

Asia, Japan

Signatures
Signed bottom right: 景年墨史
Marks/Labels/Seals
Artist, "Kon Eikan in" 今永歡印, square intaglio, upper seal at bottom right; *** (bottom, square relief)
Description

Large painting showing pine trees with mountains in upper right, water in lower left. Keinen painted this a variation of this same theme in 1914 for an immense embroidery (9 m wide) in Imperial Palace. The box inscription indicates that this hanging scroll was done two years afterwards using ink leftover from that imperial commission. Keinan painted this theme on several occasions and a smaller painting (about 3 feet) wide is also known. Each of the paintings, however, are unique compositions and the one under consideration may be the largest painted version and represents the artist at his finest.

In his time Imao Keinan was a well-known artist with international success (see Artist Biography). One of the foremost painters of the Meiji era, his work was highly sought by collectors in the twentieth century. For whatever reason, Meiji painting has yet to become a target for collectors, and Keinan’s popularity as waned in recent decades. This affords us the opportunity to acquire one of the best paintings by a leading Meiji era artist at a very low price. We have less than a handful of Meiji paintings in the collection, but we did recently acquire Kobayashi Kiyochika’s (1847-1915) The Great Fire at Ryōgoku Bridge (PUAM 2009-77), another outstanding painting from this era. Together we would have two of the greatest paintings of that era.

Culture
Period
Materials

–2017 Seikado Gallery (Kyoto, Japan), sold to the Princeton University Art Museum, 2017.