Currently not on view

No. 24. A Plantation Scene, in South Carolina,

1860

Unknown American photographer
2017-26

More Context

This image—intended for circulation and collectability—depicts enslaved people in South Carolina gathering outside their cabins, which are seen in a single row that recedes toward the horizon. When the image is seen through a binocular stereoscopic viewer, which creates the sense of three-dimensionality, the effect of depth created by the row of cabins receding diagonally is heightened. Taken in 1860, this image serves as a rare and useful photographic document of an antebellum plantation. The captions on the back of the photograph paint a rosy picture of the life of slaves on the plantation: “The task of the industrious and provident slave was often / finished by mid-day. After which they were permitted to work for themselves in a / garden patch attached to their quarters.” The reframing of a harsh reality into a fair working environment represents the use of commercial photographs to promulgate beliefs about slavery around the time of the Civil War.

Information

Title
No. 24. A Plantation Scene, in South Carolina
Dates

1860

Maker
Unknown American photographer
Medium
Albumen print
Dimensions
8.9 × 17.8 cm (3 1/2 × 7 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
2017-26
Place Made

North America, United States, South Carolina

Marks/Labels/Seals
Typed on paper adhered to verso: No. 24 / A PLANTATION SCENE, IN SOUTH CAROLINA. / This picture represents the Negro Quarters on a Plantation, as taken in 1860. It is / a true picture of life on a well organized Plantation in South Carolina. Old and young / are assembled after the heads of the families have finished their tasks, to partake of their / meals, prepared by those selected for that purpose by the owner, in consequence of their / inability to do field work. The task of the industrious and provident slave was often / finished by mid-day. After which they were permitted to work for themselves in a / garden patch attached to their quarters.
Culture
Period
Techniques

[Greg French Gallery, Jamaica Plain, MA]; purchased by the Princeton University Art Museum, 2017.