On view
African Art
Mask,
late 19th–20th century
Artist unrecorded
Wé
2020-39
This Wè mask represents an idealized woman, identified by the red pigment sweeping across the nose and cheeks, and the curved scars extending from each ear and meeting at the nostrils. Though these attributes were typical of female ornamentation, this mask was commissioned and worn by a man during performances at harvest festivals, funerals, or burials. The mask retains an accumulation of brass bells and iron chains along its jawline, but it is missing the dried raffia skirt, heavy cloth shirt or cape, and conical red cloth and cowrie-covered cap with which it was paired.
More About This Object
Information
Title
Mask
Dates
late 19th–20th century
Maker
Medium
Wood, iron chains, brass bells, pigment, and fiber
Dimensions
h. 25.4 cm (10 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
2020-39
Place Made
Africa, Côte d'Ivoire
Type
Alfred Muller, Saint Gratien, France, by 1970; [purchased by Pace Gallery, New York]; purchased by Marian and Daniel Malcolm, Tenafly, NJ, 1973; purchased by the Princeton University Art Museum, Prinecton, NJ, 2020.
- Elsy Leuzinger, Die Kunst von Schwarz-Afrika (Recklinghausen: Verlag Aurel Bongers, 1970)., p. 101, fig. 14
-
Elsy Leuzinger, The Art of Black Africa (Greenwich, 1972)
, p. 105, fig. 15 - Elsy Leuzinger, Die Kunst von Schwarz-Afrika (Recklinghausen: Bongers, 1972)., p. 105, fig. 15
- Elsy Leuzinger, The Art of Black Africa (Greenwich, 1977), p. 59
- Elsy Leuzinger, Art de l’Afrique Noire (Barcelona, 1984), p. 59
- Frank Herreman, Facing the Mask (New York: Museum for African Art, 2002), p. 44, cat. no. 40
- Heinrich Schweizer, Visions of Grace: 100 African Masterpieces from the Collection of Daniel and Marian Malcolm (Milan, 2014), pp. 54-55, cat. no. 16