Currently not on view

Male Torso in Armor Seen from the Rear: Study for Soffit Decoration in San Giovanni Evangelista,

ca. 1522–24

Parmigianino, 1503–1540; born Parma, Italy; died Casalmaggiore, Italy
x1976-67

After Leonardo da Vinci, Parmigianino was probably the most accomplished and prolific of all sixteenth-century Italian draftsmen. His work has been collected enthusiastically since his lifetime, and more than one thousand of his drawings are preserved today. The four examples in Princeton’s collection illustrate the variety of media that Parmigianino employed during his short career, spent primarily in his native Parma and in Rome, exploring and perfecting his imaginative and increasingly elegant conception of the human figure.
This vibrantly colored sheet belongs to a large group of Italian drawings given to the Museum by Frank Jewett Mather Jr. in the 1940s. Despite the handwritten attribution to “Parmeggiano” by the celebrated eighteenth-century collector Jonathan Richardson Sr. (whose stamp appears in the lower left), the drawing was only recently connected with one of the artist’s earliest fresco projects, in the church of San Giovanni Evangelista, Parma. Inspired by antiquity, this animated and armored male torso is a preliminary study for one of the fictive sculptures embedded in a portion of the ornamental decoration near a fresco of the soldier saint Vitalis. Some of the white heightening may have been enhanced by a later hand.

Information

Title
Male Torso in Armor Seen from the Rear: Study for Soffit Decoration in San Giovanni Evangelista
Dates

ca. 1522–24

Maker
Medium
Brown ink with brown wash, heightened with lead white (partially discolored), on light tan paper prepared with pink wash
Dimensions
21.1 × 10.6 cm (8 5/16 × 4 3/16 in.) frame: 41.3 × 33.7 × 2.5 cm (16 1/4 × 13 1/4 × 1 in.)
Credit Line
Gift of Frank Jewett Mather Jr.
Object Number
x1976-67
Marks/Labels/Seals
Stamps: Lower left, recto: J. Richardson (Lugt 2183); John Barnard (Lugt 1419), initials inked lower right recto of mount; F. Abbott (Lugt 970), blindstamp, lower right recto of mount; (See reference Bib. 4661 for marks);
Culture

J. Richardson Sr., stamp (L. 2183) recto, lower left, in black, and script on mount (L. 2992); Earl of Cholmondeley (according to inscription); J. Barnard, script (L. 1419) recto, lower right on mount, in brown ink; F. Abbott, stamp (L. 970) recto, lower right on mount, embossed; Frank Jewett Mather Jr. (probably given to the Art Museum in the 1940s);