On view

Art of the Islamic World
Princeton Collects

Coat,

late 19th century

Uzbek artist
Uzbek
2022-233

On the ancient trade networks known collectively as the Silk Road, silk robes were exchanged as diplomatic gifts, donated to religious institutions, and displayed as prestige goods. They were also worn by the elite, particularly in the Chinese capital of Chang’an during the Tang dynasty (618–907). The tradition of robemaking persisted in Central Asia. This nineteenth-century silk robe from Bukhara, Uzbekistan, resembles, in shape, medieval robes from the same region. However, it also displays significant innovations: while the weft consists of white cotton, the warp is silk made with the ikat technique, a method of resist-dyeing that originated in Indonesia. The Islamicization of Central Asia in the ninth century resulted in a prohibition against wearing pure silk that directly touches the body. This might explain why the robe’s weave was half cotton, and why it has cotton lining on the sides and the hem.

Xin Wen, Assistant Professor, Department of East Asian Studies, Princeton University

Information

Title
Coat
Dates

late 19th century

Maker
Uzbek artist
Medium
Silk warp ikat, white cotton weft, and printed cotton lining
Dimensions
137.2 × 145.1 cm (54 × 57 1/8 in.)
Credit Line
Gift of Robert F. Johnston, Class of 1958, and Lynn D. Johnston
Object Number
2022-233
Place Made

Asia, Russian Empire (Uzbekistan), Bukhara

Culture
Type

[Gail Martin Gallery, 310 Riverside Drive, New York, NY], until 1999; purchased by Lynn D. Johnston, July 22, 1999; collection of Robert F. Johnston (Class of 1958) and Lynn D. Johnston, 1999–2022; gifted to the Princeton University Art Museum, 2022.