Fukagawa Lumberyards (Fukagawa Kiba 深川木場), from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei 名所江戸百景)
Fukagawa Lumberyards (Fukagawa Kiba 深川木場), from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei 名所江戸百景)

Currently not on view

Fukagawa Lumberyards (Fukagawa Kiba 深川木場), from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei 名所江戸百景),

1856 [Ansei 3], 8th month

Utagawa Hiroshige 歌川 広重, 1797–1858; born and died Tokyo, Japan
Japanese
Edo period, 1603–1868
x1983-40

Information

Title
Fukagawa Lumberyards (Fukagawa Kiba 深川木場), from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei 名所江戸百景)
Dates

1856 [Ansei 3], 8th month

Maker
Utagawa Hiroshige 歌川 広重
Medium
Woodblock print (ōban tate-e format); ink and color on paper
Dimensions
block: 34 x 22.5 cm. (13 3/8 x 8 7/8 in.) sheet: 35 x 24 cm. (13 3/4 x 9 7/16 in.) mat: 49 x 36.2 cm. (19 5/16 x 14 1/4 in.)
Credit Line
Gift of Mr. and Mrs. Jerome Straka
Object Number
x1983-40
Place Made

Asia, Japan

Signatures
Signed lower left
Marks/Labels/Seals
Aratame seal and date at top: 1856-7 Publisher's seal: No-Ei
Culture
Japanese
Period
Edo (Japanese period)
Type
prints, japanese printmaking styles, oban, woodblock prints
Materials
oban, color, paper, ink
Techniques
woodcut
Subject
landscapes (representations), winter, snow, figures (representations), cats, rivers, mountains, views

IIIF manifest

The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. Visit iiif.io to learn more.

Open API URL

Our API is generally designed to provide programmatic access to the Museum's collections data for applications that require regular updates and/or the ability to dynamically query and filter the data via the endpoints provided.

Share your feedback with us

The Museum regularly researches its objects and their collecting histories, updating its records to reflect new information. We also strive to catalogue works of art using language that is consistent with how people, subjects, artists, and cultures describe themselves. As this effort is ongoing, the Museum’s records may be incomplete or contain terms that are no longer acceptable. We welcome your feedback, questions, and additional information that you feel may be useful to us. Email us at collectionsinfo@princeton.edu.

Explore More

Nick Cave, Let me kindly introduce myself. They call me MC Prince Brighton., 2025

Celebrating American Art at Princeton

Mosaic Restaurant