Fujieda: Changing Porters and Horses (Fujieda, jinba tsugitate 藤枝 人馬継立), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)
Fujieda: Changing Porters and Horses (Fujieda, jinba tsugitate 藤枝 人馬継立), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)

On view

Asian Art
Huo Pavilion

Fujieda: Changing Porters and Horses (Fujieda, jinba tsugitate 藤枝 人馬継立), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内),

ca. 1833–34 [Tenpō 4–5]

Utagawa Hiroshige 歌川 広重, 1797–1858; born and died Tokyo, Japan
Published by Takenouchi Magohachi 竹内孫八
Published by Tsuruya Kiemon 鶴屋喜右衛門, Japanese
Japanese
Edo period, 1603–1868
x1983-35
Edo printmakers frequently created sets of images illustrating scenic locations around Japan. Hiroshige made his celebrated series Fifty-Three Stations of the Tōkaidō in 1833, after traveling this important route and sketching sites along the way. The Tōkaidō, or “Eastern sea route,” was a three-hundred-mile road with fifty- five official stops or stations, connecting the two most important cities of Edo Japan: Kyoto and Edo (present-day Tokyo). Eisen produced a set of Tōkaidō road prints, including the figure of a courtesan in front of Mount Fuji that you see in this group. The most renowned artist of the period, Hokusai produced his well-known print of figures crossing a suspension bridge for a series on provincial bridges, both real and imagined.

Information

Title
Fujieda: Changing Porters and Horses (Fujieda, jinba tsugitate 藤枝 人馬継立), from the series “Fifty-three Stations of the Tōkaidō” (Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内)
Dates

ca. 1833–34 [Tenpō 4–5]

Maker
Utagawa Hiroshige 歌川 広重
Published by Takenouchi Magohachi 竹内孫八
Published by Tsuruya Kiemon 鶴屋喜右衛門
Medium
Woodblock print (ōban yoko-e format); ink and color on paper
Dimensions
block: 21.9 × 34.3 cm (8 5/8 × 13 1/2 in.) sheet: 24.4 × 36.7 cm (9 5/8 × 14 7/16 in.) mat: 36.2 × 49 cm (14 1/4 × 19 5/16 in.)
Credit Line
Gift of Mr. and Mrs. Jerome Straka
Object Number
x1983-35
Place Made

Asia, Japan

Signatures
Signature, lower right
Inscription
Signature, lower right; publisher's seal: Take-mago (?) Tsuru-ki; other seals, inscriptions
Marks/Labels/Seals
Publisher's seal: Take-mago (?) Tsuru-ki
Culture
Japanese
Period
Edo (Japanese period)
Type
woodblock prints, japanese printmaking styles, oban, prints
Materials
oban, color, ink, paper
Techniques
woodcut (process)
Subject
road and roadside elements, travel, buildings, figures (representations), porters, horses

Jerome Straka (1903–1986) and Mrs. Jerome Straka; given to the Princeton University Art Museum, 1983.

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