Currently not on view
Satyr and Nymph,
1817
Information
1817
Europe, Rome
- Lorenz Eitner, "Géricault's 'black standard bearer'", Stanford museum 2 (1973): p. 3-10., p. 3-4; p. 9, note 2; p. 5, fig. 2
- Lorenz Eitner, Géricault, his life and work, (London: Orbis, 1983)., p. 104; p. 335, note 25; p. 98, fig. 83
-
Philippe Grunchec, Master drawings by Géricault, (Washington, D.C.: International Exhibitions Foundation, 1985).
, no. 40; p. 94 (illus.) - "Acquisitions of the Art Museum 1986," Record of the Art Museum, Princeton University 46, no. 1 (1987): p. 18–52, p. 46
- Germain Bazin, Théodore Géricault: étude critique, documents et catalogue raisonné, (Paris: La Bibliothèque des arts, 1987-1997). , Vol. 3: p. 91; (illus.)
- Chronique des arts: supplément à la Gazette des beaux-arts (Mar., 1987)., p. 48
- Richard J. Campbell and Victor Carlson, Visions of antiquity: neoclassical figure drawings, (Los Angeles, CA: Los Angeles County Museum of Art; Minneapolis, MN; Minneapolis Institute of Arts, 1993).
- Wheelock Whitney, Géricault in Italy, (New Haven, CT; London: Yale University Press, 1997)., p. 161 (illus.); p. 162, fig. 196
- Darcy Grimaldo Grigsby, Extremities: painting empire in post-revolutionary France, (New Haven: Yale University Press, 2002)., fig. 137, 195
- Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007), p. 265 (illus.)
- Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 317
-
European Drawings from Neo-Classicism to Impressionism (Tuesday, December 04, 1990 - Sunday, January 06, 1991)
-
Nineteenth-Century Pastels, Drawings, Watercolors (Complement to Cezanne Exhibition) (Saturday, February 01, 1992 - Sunday, April 05, 1992)
-
An Educated Eye: The Princeton University Art Museum Collection (Friday, February 22, 2008 - Sunday, June 15, 2008)