Currently not on view
Wooded landscape with figures, sheep, and cottage,
ca. 1785
Thomas Gainsborough, 1727–1788; born Sudbury, United Kingdom; died London, United Kingdom
x1989-34
With its dramatic light and dark contrasts, this drawing conjures up what the painter John Constable called “the depths of twilight” in Gainsborough’s poetic depictions of the English countryside and its inhabitants. During his career as a portraitist, Gainsborough created numerous landscapes, many of which represent imaginary rural settings. These were inspired by a variety of sources, including Dutch and Flemish pastoral scenes and recollections of the Suffolk countryside of his childhood. Although his earliest landscape sketches were made outdoors, by the 1770s Gainsborough was composing his drawings primarily in the studio from tabletop models, using cork or coal for rocks, sand and clay for the middle distance, and mosses and broccoli for bushes and trees.
More About This Object
Information
Title
Wooded landscape with figures, sheep, and cottage
Dates
ca. 1785
Maker
Medium
Black chalk, gray wash, heightened with white gouache
Dimensions
27.5 x 37.1 cm (10 13/16 x 14 5/8 in.)
Credit Line
Museum purchase, Surdna Fund and John Maclean and Gertrude Magie Fund
Object Number
x1989-34
Culture
Type
Materials
Techniques
Harry Lawrence Bradfer-Lawrence (1887-1965); by descent to Colonel Philip Bradfer-Lawrence, Burgh-next-Aylsham; sale, Sotheby's, London, November 19, 1987, lot 87; Colnaghi, London, 1988; purchased by the Museum from Colnaghi.
- John T. Hayes, The drawings of Thomas Gainsborough, (New Haven, CT: Published for the Paul Mellon Centre for Studies in British Art (London) by Yale University Press, 1970)., cat. no. 762
- "Acquisitions of the Art Museum 1989," Record of the Art Museum, Princeton University 49, no. 1 (1990): p. 24-57., p. 33