On view
Art of the Ancient Americas
Mask,
200–650 CE
Teotihuacán
Early Classic Period (Tlamimilolpa–Metepec phases)
2007-139
In the first centuries CE, Teotihuacan grew rapidly to become a massive metropolis, the largest in the Americas with perhaps 250,000 inhabitants. It was a cosmopolitan city with neighborhoods of migrant communities from throughout Mesoamerica. Part of Teotihuacan’s urban success was likely the result of its control over key sources of obsidian, a volcanic glass used to produce sharp, utilitarian blades but also meticulously flaked for use as fragile offertory objects. Fine ceramic vessels took distinctive forms, such as lidded tripods and floreros. The shape of the latter parallels modern flower vases though their ancient function is uncertain. Stone masks once may have adorned mortuary bundles, possibly lining the central road of the city and inspiring its name among the later Mexica as the micca otlica, the “Street of the Dead.” Teotihuacan’s political involvement and artistic influence is attested throughout much of Mesoamerica during its heyday and after.
More About This Object
Information
Title
Mask
Dates
200–650 CE
Medium
Travertine
Dimensions
18.5 × 17.5 × 11.3 cm (7 5/16 × 6 7/8 × 4 7/16 in.)
Credit Line
Gift of Gillett G. Griffin
Object Number
2007-139
Place Made
North America, Mexico, Central Mexico, Teotihuacán
Culture
Period
Type
Materials
Techniques
Subject
Said to be from an old Swiss collection. December 19, 1969, sold by “J.R.” to Gillett G. Griffin (1928-2016), Princeton, NJ [1]; 2007, gift to the Princeton University Art Museum.
Notes:
[1] According to Griffin’s Notebook 4-14. “J.R.” likely refers to John Rhoads.
- Kathleen Berrin and Esther Pasztory, eds., Teotihuacan: Art from the City of the Gods (San Francisco: Thames and Hudson and The Fine Arts Museums of San Francisco, 1993)., cat. no. 33 (illus.)
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"Acquisitions of the Princeton University Art Museum 2007," in "More than one: photographs in sequence," special issue, Record of the Princeton University Art Museum 67 (2008): p. 96-119.
, p. 103 - Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 317