Currently not on view

Cobalt Vectors – An Invasion,

1978

Dennis Oppenheim, American, 1938–2011
x1993-138 a-c

Cobalt Vectors—An Invasion documents an outdoor installation created by Dennis Oppenheim in 1978. Using asphalt primer and cobalt-blue dry pigment, the artist “drew” two 2,000-foot lines on a vast stretch of land at El Mirage Dry Lake in California and photographed the results from the air.

First active in the late 1960s, Land artists such as Oppenheim and Robert Smithson used tools and earthmoving equipment to shape, carve, and inscribe natural materials, transforming landscapes into sculptures. Although remote and often ephemeral, their projects were usually accompanied by maps, photographs, and models that the artists displayed in museums and galleries. Contradiction was at the heart of Earth Art: in works such as Oppenheim’s, outside and inside, presence and absence, immediacy and mediation are inextricably connected.

Information

Title
Cobalt Vectors – An Invasion
Dates

1978

Medium
Gelatin silver prints (a,b) and chromogenic print (c)
Dimensions
sheet (a): 76.4 × 101.6 cm (30 1/16 × 40 in.) frame (a): 77 × 102.4 × 3.5 cm (30 5/16 × 40 5/16 × 1 3/8 in.) sheet (b): 76 × 101.5 cm (29 15/16 × 39 15/16 in.) frame (b): 77 × 102.4 × 3.5 cm (30 5/16 × 40 5/16 × 1 3/8 in.) sheet (c): 75.9 × 101.3 cm (29 7/8 × 39 7/8 in.) frame (c): 77 × 102.4 × 3.5 cm (30 5/16 × 40 5/16 × 1 3/8 in.)
Credit Line
Gift of Dr. Steven H. Kazan and Dr. Bernard S. Lichtenstein
Object Number
x1993-138 a-c
Place Made

North America, United States, California, El Mirage Lake

Marks/Labels/Seals
a: Text panel: COBALT VECTORS - AN INVASION. 1978. EL MIRAGE DRY LAKE / CALIFORNIA / DIMENSIONS: 2000' MATERIALS: ASPHALT PRIMER AND COBALT BLUE DRY PIGMENT. b: Stamped in red ink in center of image in quadrant I-51: Photograph of composite of U.S.G.S. [?] photographs of installation site; size indicated by "0 LOCATION". c: Site documentation photograph of two blue lines crossing desert floor.
Culture