Currently not on view
Madonna and Child,
14th century
Luca di Tommè, Italian, fl. 1356–1389
y1
Information
Title
Madonna and Child
Dates
14th century
Maker
Medium
Tempera on wood panel
Dimensions
80.7 x 52 x 5 cm (31 3/4 x 20 1/2 x 1 15/16 in.)
Credit Line
Gift of Bernard Berenson
Object Number
y1
Inscription
Banderole painted in spandrels: Top left: "Ecce Virgo Choncipiet"; Right: "Nobis".;
Culture
Period
Materials
- Frank Jewett Mather Jr., "Painting", Art and archaeology 20, no. 3 (1925): p. 145-151., p. 145 (illus.)
- Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places, (Oxford, UK: Clarendon Press, 1932)., p. 402
- Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi, (Milano: U. Hoepli, 1936)., p. 346
- The Christ Child in devotional images in Italy during the XIV century, (New York: G. Wittenborn, 1954)., p. 176
- Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. Central Italian and North Italian schools, (London: Phaidon, 1968)., p. 244
- B. B. Fredericksen and F. Zeri, Census of pre-nineteenth-century Italian paintings in North American collections, (Cambridge, MA: Harvard University Press, 1972)., p. 77
- Sherwood A. Fehm, Jr., "Attributional problems surrounding luca di tommé", in ed. Sergio Bertelli and Gloria Ramakus, Essays presented to Myron P. Gilmore, (Florence: La Nuova Italia, 1978)., p. 162
- Cristina de Benedictis, La pittura senese 1330-1370, (Firenze: Salimbeni libreria editrice, 1979)., p. 81
- Eling Skaug, Punch marks from Giotto to Fra Angelico: attribution, chronology, and workshop relationships in Tuscan panel painting: with particular consideration to Florence, c.1330-1430, (Oslo, Norway: IIC, Nordic Group,the Norwegian section, 1994)., p. 262
