On view
Ancient Mediterranean Art
Statuette of a boy,
1st century BCE
Roman
Roman Imperial Period, ca. 30 BCE–476 CE
y1929-188
The clothing of each of these statuettes points to different ways of depicting bodies. In one instance, a young boy wears a traditional Egyptian shendyt, a kilt-like garment worn by members of all social classes that allowed for easy movement and could be made of a variety of fabrics. It reveals much of the boy’s form and emphasizes his youthful body. This display stands in stark contrast to the statuette of a boy wearing a himation, a large, heavy piece of fabric intended to be wrapped around the body that Greek men and woman wore over a lighter, longer robe called a chiton. While the himation is Greek in origin and the shendyt Egyptian, their use in these Roman statuettes illustrates some of the ways the Romans incorporated other cultural styles into their visual vocabulary.
Information
Title
Statuette of a boy
Dates
1st century BCE
Medium
Bronze
Dimensions
34.5 x 12.2 x 9.2 cm (13 9/16 x 4 13/16 x 3 5/8 in.)
Credit Line
Given in memory of Frank Jewett Mather, Sr., by his children
Object Number
y1929-188
Place Made
Roman Empire
Culture
Period
Materials
Subject
Acquired from Ugo Jandolo, Rome, in 1929
- Lodovico Pollak, Collezione Prospero Sarti, (Roma: Tipografia dell'Unione Cooperativa Editrice, 1906). , pl. XVII; no. 250
- Margarete Bieber, Die antiken Skulpturen und Bronzen des Königl. Museum Fridericianum in Cassel, (Marburg: N. G. Elwertsche Verlagsbuchhandlung, 1915)., p. 70, no. 214; pl. XLIV
- Ludwig Pollak, Collezione A. de Sanctis Mangelli antichià: oggetti d'arte antichi egiziani, etruschi, greci e romani; smalti, terrecotte, vetri, ori, argenti, ambre, pietre incise e bronzi, (Roma: Luigi Battu, 1923)., p. 38, no. 244; pl. 3
- George M. A. Hanfmann, "An Etruscan bronze", Record of the Museum of Historic Art, Princeton University 2, no. 1 (1943): p. 4-11., p. 4-11; fig. 1-4
- Dorothy Kent Hill, Catalogue of classical bronze sculpture in the Walters Art Gallery, (Baltimore, MD: Walters Art Gallery?, 1949)., p. xix, note 50
- Emeline Hill Richardson, "The Etruscan origins of Early Roman sculpture", Memoirs of the American Academy in Rome 21 (1953): p. 75+77-124., p. 111-112, fig. 21-22
- "[Frank Jewett Mather, Jr. 1868-1953: In memoriam]", Record of the Art Museum, Princeton University 13, no. 1 (1954): p. 2-19., p. 19 (illus.)
-
Margarete Bieber, "Roman men in Greek himation (Romani palliati): a contribution to the history of copying", Proceedings of the American Philosophical Society 103, no. 3 (Jun. 15, 1959): p. 374-417.
, p. 384, note 12 - F. F. Jones and R. Goldberg, Ancient art in the Art Museum: Princeton University, (Princeton, NJ: Princeton University Press, 1960)., p. 10; p. 11 (illus.)
- Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986), p. 29 (illus.)
- Emeline Richardson, "The types of Hellenistic votive bronzes from central Italy", in Russell T. Scott and Ann Reynolds Scott, eds., Eius virtutis studiosi: classical and postclassical studies in memory of Frank Edward Brown (1908-1988), (Washington, D.C.: National Gallery of Art; Hanover, CT: Distributed by the University Press of New England, 1993). , p. 293-295, fig. 17