On view

American Art
Wilmerding Pavilion
The Anschutz-Hunt Family Gallery

The Course of Empire–The Savage State,

ca. 1834

Thomas Cole, 1801–1848; born Lancashire, England; died Catskill, NY
y1941-51
The earliest American landscape painting at the Princeton University Art Museum is an unassuming but significant work of art. Completed in about 1834, this sketch is the only known oil study for the initial painting in Cole’s monumental five-part cycle The Course of Empire. In a letter from the artist to his patron Luman Reed, Cole described his vision: “The FIRST PICTURE . . . must be a view of a wilderness— the sun rising from the sea, and the clouds of night retiring over the mountains. There must be a flashing chiaroscuro, and the spirit of motion pervading the scene, as though nature were just springing from Chaos.” Meant to evoke civilization’s inchoate beginnings, The Savage State was followed by four images of the same imagined locality as it developed into a magnificent city, only to be destroyed and returned to wilderness, providing a sublime, if defeatist, alle-gory of history, progress, and the nation-state.

More Context

Handbook Entry

Information

Title
The Course of Empire–The Savage State
Dates

ca. 1834

Maker
Medium
Oil on paper laid down on canvas
Dimensions
16 x 26 cm. (6 5/16 x 10 1/4 in.) frame: 29.5 × 39.5 × 4.7 cm (11 5/8 × 15 9/16 × 1 7/8 in.)
Credit Line
Gift of Frank Jewett Mather Jr.
Object Number
y1941-51
Place Made

North America, United States, New York, Catskill Mountains

Marks/Labels/Seals
Inscribed on stretcher, in pencil: Study for first picture in Course of Empire Savage State; Inscribed on back of canvas: Thomas Cole Inscribed on pine board backing, in pencil: Thomas Cole / Sketch for picture Course of Empire / Savage State. From accession card.
Culture

Florence H. Cole Vincent (1876-1961), granddaughter of the artist, by 1941; purchased by Frank Jewett Mather, Jr. (1868-1953), by 1941; donated to the Princeton University Art Museum, 1941.