On view

American Art
Wilmerding Pavilion
Philip & Nancy Anschutz Gallery

Rainy Day, Fifth Avenue,

1916

Childe Hassam, 1859–1935; born Dorchester, MA; died East Hampton, NY; active New York, NY and East Hampton
y1942-62
Hassam’s images of New York were inspired by the urban life outside his studio on lower Fifth Avenue, a grand cultural and commercial thoroughfare that was also a main parade route. Hassam gained a window onto the country’s increasing involvement in World War I when he later moved his studio uptown to 57th Street, closer to the center of those colorful patriotic displays. He recalled, “There was that Preparedness Day, and I looked up the avenue and saw these wonderful flags waving, and I painted the series of flag pictures after that.” Here, rain provides a pretext to dissolve the canvas into a harmony of red, white, and blue, while the innumerable American flags parallel the swarms of people below. Hassam’s anonymized rendering of the parade expresses a pluralistic conception of patriotism, reflecting a modern, corporate construction of citizenship, in which communal rather than individual acts are prioritized.

More Context

Childe Hassam’s images of New York gentry sauntering through Washington Square Park or navigating a snowy evening on Union Square were inspired by the urban life outside his studio on lower Fifth Avenue. That grand thoroughfare, the city’s cultural and commercial artery, was also the main parade route for the nation. Hassam had a window onto the country’s increasing involvement in World War I when his studio moved further uptown, closer to the center of those patriotic displays. He recalled, "There was that Preparedness Day, and I looked up the avenue and saw these wonderful flags waving, and I painted the series of flag pictures after that." The flag-covered streets and Impressionist images of Bastille Day had captivated Hassam during his early days in Paris. An Impressionist concern with the effects of weather and light exhibited in the works he produced there and in his earlier New York canvases gave way to more formal explorations and symbolic undertones as his flag series progressed. Of the approximately thirty flag images the artist made between 1916 and 1919, <em>Rainy Day, Fifth Avenue</em> marks a pivotal turning point in this development. Rain provides a pretext to dissolve the canvas into a harmony of red, white, and blue, while the American flag becomes both a pattern and a parallel of the swarms of people below.

Information

Title
Rainy Day, Fifth Avenue
Dates

1916

Medium
Oil on canvas
Dimensions
46 × 39 cm (18 1/8 × 15 3/8 in.) frame: 63.7 × 56.5 × 6.3 cm (25 1/16 × 22 1/4 × 2 1/2 in.)
Credit Line
Gift of Albert E. McVitty, Class of 1898
Object Number
y1942-62
Place Depicted

United States, New York, New York, Manhattan, Fifth Avenue

Signatures
Signed and dated in blue, upper right: "Childe Hassam 1916". Signed on back of canvas "CH 1916", in red. From accession card.
Culture
Materials

[Milch Gallery, New York (NY), by 1942 [1]]; acquired by Albert E. McVitty (1876-1948), Princeton (NJ), by 1942; donated to the Princeton University Art Museum, 1942. [1] According to an inventory of McVitty’s collection, see E. McVitty Papers, Smithsonian Archives of American Art.